Mother of one of Elon Musk’s sons ‘horrified’ at use of Grok to create fake sexualised images of her

A picture


The mother of one of Elon Musk’s sons has said she felt “horrified and violated” after fans of the billionaire used his AI tool, Grok, to create fake sexualised images of her by manipulating real pictures.The writer and political strategist Ashley St Clair, who became estranged from Musk after the birth of their child in 2024, told the Guardian that supporters of the X owner were using the tool to create a form of revenge porn, and had even undressed a picture of her as a child.Grok has come under fire from lawmakers and regulators worldwide after it emerged it had been used to virtually undress images of women and children, and show them in compromising sexualised positions.The widespread sexual abuse consists of X users asking Grok to manipulate pictures of fully clothed women to put them in bikinis, on their knees, and cover them in what looks like semen.“I felt horrified, I felt violated, especially seeing my toddler’s backpack in the back of it,” St Clair said of an image in which she has been put into a bikini, turned around and bent over.

“It’s another tool of harassment.Consent is the whole issue.People are saying, well, it’s just a bikini, it’s not explicit.But it is a sexual offence to non-consensually undress a child.”Acolytes of Musk had disliked her since she went public about his desire to build a “legion” of children, she said.

Musk is the father of 13 other children, with three other women,She said: “It’s funny, considering the most direct line I have and they don’t do anything,I have complained to X and they have not even removed a picture of me from when I was a child, which was undressed by Grok,”The abuse started over the weekend, and she said that since it began she had been reporting it to X and Grok, to no avail,“The response time is getting longer as well,” she added.

“When this first started, Grok was removing some of them,”The manipulated image of her as a 14-year-old had been up for 12 hours by Monday afternoon,It and several other images highlighted by St Clair were finally removed after the Guardian sought comment from X,She said: “Grok said it would not produce these images any more but they continued to get worse,People took pictures of me as a child and undressed me.

There’s one where they undressed me and bent me over and in the background is my child’s backpack that he’s wearing right now.That really upsets me.”St Clair said the abuse became worse when she publicly complained about her images being manipulated.Since speaking out, other abuse victims have been in contact.She has been sent other disturbing sexual images the AI tool has made, including some of children.

“Since I posted this I have been sent a six-year-old covered in what’s supposed to be semen,” said St Clair,“She was in a full dress,They said to put her in a blue bikini and cover her in what looks like semen,”The mainstreaming of this abuse had been made possible by Grok, she said, adding: “I am also seeing images where they add bruises to women, beat them up, tie them up, mutilated,These sickos used to have to go to the dark depths of the internet and now it is on a mainstream social media app.

”St Clair believes this is being done to silence women and that the problem will get worse,This was because the AI was being “trained” on the prompts it was given by sexually abusive men, while women were being frightened off the platform by the abuse, she said,“If you are a woman you can’t post a picture and you can’t speak or you risk this abuse,” she said,“It’s dangerous and I believe this is by design,You are supposed to feed AI humanity and thoughts and when you are doing things that particularly impact women and they don’t want to participate in it because they are being targeted, it means the AI is inherently going to be biased.

”She referred to it as a “civil rights issue” because “women do not have the ability to participate in and train the models the same as men when they are being targeted,The other LLMs are being trained on the internet too and it’s poisoning the well,”Musk and his team could have stopped this widespread abuse of women in minutes, she said,“These people believe they are above the law, because they are,They don’t think they are going to get in trouble, they think they have no consequences.

”She added: “They are trying to expel women from the conversation.If you speak out, if you post a picture of yourself online, you are fair game for these people.The best way to shut a woman up is to abuse her.”St Clair said she was considering legal action, and believed it could be classed as revenge porn under the new Take It Down Act in the US.The UK is in the process of banning the digital undressing of women, but the relevant law is yet to reach the statute book.

An X spokesperson said: “We take action against illegal content on X, including child sexual abuse material (CSAM), by removing it, permanently suspending accounts, and working with local governments and law enforcement as necessary,Anyone using or prompting Grok to make illegal content will suffer the same consequences as if they upload illegal content,”The best public interest journalism relies on first-hand accounts from people in the know,If you have something to share on this subject, you can contact us confidentially using the following methods,Secure Messaging in the Guardian appThe Guardian app has a tool to send tips about stories.

Messages are end to end encrypted and concealed within the routine activity that every Guardian mobile app performs.This prevents an observer from knowing that you are communicating with us at all, let alone what is being said.If you don't already have the Guardian app, download it (iOS/Android) and go to the menu.Select ‘Secure Messaging’.SecureDrop, instant messengers, email, telephone and postIf you can safely use the Tor network without being observed or monitored, you can send messages and documents to the Guardian via our SecureDrop platform.

Finally, our guide at theguardian.com/tips lists several ways to contact us securely, and discusses the pros and cons of each.
cultureSee all
A picture

I May Destroy You helped me confront being spiked

When I May Destroy You aired in the summer of 2020, I hadn’t yet been spiked. Michaela Coel’s comedy-drama, based on her own experience of sexual assault, follows Arabella (Coel) as she realises she was drugged and raped on a night out. With one in four women in Britain having experienced sexual violence, the 12-part series was a difficult watch for many. If not relatable, then confronting and familiar; something that had happened to others, but close enough to know that it could happen to you. Three months later, it did happen to me

A picture

From Song Sung Blue to Theatre Picasso: your complete entertainment guide to the week ahead

Song Sung BlueOut now In 2008, an inspirational documentary about Neil Diamond tribute band Lightning & Thunder warmed hearts with its unconventional love story about Mike and Claire Sardina. Now it’s been adapted into this drama, with all Neil Diamond songs present and correct, and Kate Hudson and Hugh Jackman in the lead roles.Peter Hujar’s DayOut nowBen Whishaw stars as the photographer and artist-activist of New York’s gay liberation movement, who photographed figures such as Susan Sontag, Fran Lebowitz and John Waters. Set over the course of one day in 1974, this is an adaptation of the book by Linda Rosenkrantz, played here by Rebecca Hall.Menus-Plaisirs: Les TroisgrosOut nowFrederick Wiseman, the godfather of durational documentary, is back with a four-hour epic, observing a Michelin-starred family restaurant in rural France

A picture

Forget Keanu: Ulster Scots translation of Beckett classic takes on spate of celebrity Godots

Beneath a stark steel tree in a bleak upland bog, a literary masterpiece is set to assume a different linguistic mantle.Samuel Beckett’s enigmatic tragicomedy Waiting for Godot will make its world premiere in Ulster Scots, a moment described as a “coming of age” for the minority language, and the antithesis of the trend for celebrity Godots.On Good Friday, after an uphill trek of about 3km, the audience will arrive at a spot in the vast volcanic Antrim Plateau in Northern Ireland, if not footsore then certainly empathic to the physical discomfort of Estragon struggling to remove his ill-fitting boots.The “existential landscape of heath, moss and bog” in County Antrim lends itself to a script “peppered with exterior references”, said Seán Doran, of festival organiser Arts over Borders, which is staging the production as part of a major new arts festival, the Samuel Beckett Biennale.But while there have been previous outdoor productions, it will be the “forceful pronunciation and sound” of delivering it in Ulster Scots, or Ullans, for the first time and in a region where the language is spoken, that will “bring a whole new total register” and change the whole performative aspect of the play, said Doran

A picture

Demon Slayer economics: how the anime juggernaut became a saviour

An animated drama featuring hordes of carnivorous fiends might not sound like classic box office fodder, but that’s exactly what Demon Slayer: Kimetsu no Yaiba Infinity Castle proved to be in September.The film set new records for anime – Japanese animated films and series – making more than $70m (£52m) on its opening weekend in the US and £535m so far globally. To put that in context, Ghost in the Shell – an anime classic released in 1995 – made about £2m worldwide.In that 30-year period, anime has gone from an underground phenomenon to a saviour during one of the worst autumn box office slumps in recent memory. So how did we get here?Mitchel Berger, an executive vice-president and the head of theatrical at Crunchyroll – the specialist anime streaming service – was pleasantly surprised by the Demon Slayer mania

A picture

The year of the self-mocking man sketch: ‘Dumb masculinity is very funny’

“I’m gonna miss toxic masculinity,” says the comedian Kiry Shabazz. “I feel like it’s going to be in a museum someday.”In the ensuing standup routine, Shabazz describes a fight with a friend who, like him, is “doing the work” to be a better person. He called the friend several unprintable names while acknowledging: “I’m only calling you that because culturally that’s how I know how to express myself.” The friend’s reply to the torrent of insults: “I hear you and I receive that

A picture

‘An Arab in a post-9/11 world’: Khalid Abdalla’s one-man play about belonging comes to Australia

When British-Egyptian actor Khalid Abdalla farewelled the hit series The Crown and his character, Dodi Fayed, he knew he was saying goodbye to a role with a depth and significance well beyond merely a love interest for Princess Diana.“Dodi is one of the first Arab characters I can think of in the history of [western] film that you get to know and love, not fear,” says Abdalla, seated in his London home two years after the series ended. “And so, when he dies, you mourn him.”Glasgow-born Abdalla, 45, whose father and grandfather were leftist political dissidents in Egypt, well understood the cultural significance of fleshing out the character of Alexandria-born Fayed beyond the playboy of legend.He was also acutely aware of the political moment in which his portrayal was being presented