‘Using his Terminator voice, Arnie said: “Your song. Give it to me. Now”’: Bad to the Bone’s creation – and aftermath

Before Bad to the Bone, we just played obscure blues songs from the archives. But when we toured with the Rolling Stones, I noticed the reaction to their Start Me Up. I said: “Man, we’d better hurry up and write an original song with a catchy intro or, five years from now, people will go, ‘Oh yeah, George Thorogood – wasn’t he good at playing Chuck Berry or something?’”Bad to the Bone is a male fantasy. Let’s face it: every guy wants to be bad. We were raised on Hollywood movies and all those tough guys, like Bernardo from West Side Story, or Howlin’ Wolf – we opened for him in 1974 and he had a ferocious reputation

What is a ‘Scientology speedrun’ and why is social media suddenly obsessed with it?

Ima, if someone said “Scientology speedrun” to me I would think about Tom Cruise in tight shorts. But that is not what is happening, is it?Not quite, Cait. The Scientology speedrun appears to have spawned in March when content creator Swhileyy filmed himself rushing the Church of Scientology on Hollywood Boulevard in Los Angeles. That video gained 90m views before it was deleted.Since then, groups of mostly young men have documented themselves charging into the LA centre, pulling in millions of views on TikTok

Joseph Fiennes on parenting, politics and banning children from social media: ‘Stand up, Keir, this is your kids’ generation’

He’s played English titans from William Shakespeare to Gareth Southgate, but what does the actor really think about the country today?The Guardian’s journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more.We are at a corner table in a breakfast place in Chelsea, Joseph Fiennes opposite me on the banquette with his jack russell, Noa. “Dog duty,” he says, apologetic

The Guide #242: Everyday Hollywood film comedies have faded but can they make a comeback?

There was a striking moment during this week’s episode of The Rewatchables, the wildly popular film-recap podcast that I reach for when I’ve had my fill of history/football/glum current affairs pods. The episode was revisiting 90s comedy There’s Something About Mary, a film that in some ways holds up hilariously, and in others has aged about as well as a bottle of semi-skimmed on a summer’s day in Death Valley. As part of the episode, the podcast’s panel were going through their favourite comedy films by decade and were spoilt for choice – until, that is, they reached the 2020s, when they seemed to collectively draw a blank. “The Drama’s pretty funny …” one offered tentatively. Finally, host Bill Simmons cut through the umming, ahhing and awkward silence to get to the heart of the matter: “Do we have comedies any more? What happened to comedies?”Yes, what did happen to comedies? Or rather, what happened to the “everyday” American comedies like There’s Something About Mary that once set up a permanent frat house residence in cinemas? You know the ones I mean: those that took a familiar real-world situation – teens trying to lose their virginity, a man clashing with his girlfriend’s dad, a maid of honour struggling to arrange a hen do, stunted adolescents refusing to fly the nest – and stretched them to absurd and lurid extremes

Ah, ah, ah, ah - I saved my dad’s life with a little help from The Office and the Bee Gees

When my father collapsed suddenly, an episode of the US comedy in which Steve Carell does CPR to the tune of Stayin’ Alive sprung miraculously to mindIt was a boiling hot day last summer, four days after my dad’s 73rd birthday. Mum was plating up dinner and Dad was on the sofa complaining about how stifling it was. I was meant to head to work, for my job as a personal trainer, but decided to take the evening off. It was just as well: as I turned back to Mum, Dad collapsed backwards and suffered a massive cardiac arrest.Mum was hysterical

From The Sheep Detectives to Rivals: your complete entertainment guide to the week ahead

Hugh Jackman and Emma Thompson star in a farmyard mystery, while the spirited bonkbuster returns for a smutty second outingThe Sheep DetectivesOut now Few can claim a writing career as varied as Craig Mazin, creator of TV’s Chernobyl, co-writer of several Scary Movie and The Hangover films, and co-creator of The Last of Us. Here, he turns his hand to a comedy-mystery about sheep, starring Hugh Jackman and Emma Thompson. Adapted from a novel by Leonie Swann.KokuhoOut now Two-time Japan Academy film prize best director winner Lee Sang-il directs this prestige adaptation of Shuichi Yoshida’s novel. It holds the record for the highest-grossing Japanese live-action release ever in Japan – an impressive feat for a nearly three-hour-long period drama set across five decades in the kabuki theatre world

Amandaland to Olof Dreijer: the week in rave reviews

Lucy Punch’s middle-class antihero is back, and one half of the Knife presents an album of dazzlingly inventive psychedelia. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviewsBBC iPlayerSummed up in a sentence This retrospective on one of David Attenborough’s greatest pieces of TV is packed with brilliant anecdotes.What our reviewer said Victoria Bobin’s rollicking film is the story of a giant pop-culture moment, a gang of mates remembering how they sensed conditions were right to create a blockbuster masterpiece – if they were willing to flirt with failure and even death to get there.” Jack SealeRead the full reviewFurther reading Happy centenary, David! Attenborough’s 100 most spectacular TV momentsBBC iPlayerSummed up in a sentence The return of the much-loved Motherland spin-off, focusing on delusional, narcissistic mum Amanda.What our reviewer said “Lucy Punch’s portrayal of Amanda is mesmerisingly convincing

Reflections on the Festival of Britain | Letters

Celebrating the legacy of the Festival of Britain 75 years on by considering “how art can bring people together in the darkest times” is a fine sentiment (Editorial, 1 May). But far too many in this country have no opportunity to share in that legacy. We need to recognise that this country is a very different place to that of 75 years ago – it is divided and more diverse. We are now a multicultural nation – but a fractured one.A possible solution to the many racist and prejudiced attitudes we see around us is to have another festival of Britain, but with a very different focus

‘Tisio peint? Or: Do you fancy a pint? | Letters

I was delighted to read Phil Coughlin’s nostalgic account of Spike Milligan’s border-straddling pub in Puckoon (Letters, 1 May).But, here in Wales, we have the real thing in the little village of Llanymynech in Powys, where the border between two nations goes through the Bradford Arms hotel. Sunday drinking was illegal in Wales until 1961, so customers would crowd into the private bar, which, being to the east of the border, was not under Welsh drinking laws. For the rest of the week, most customers were more comfortable in the public bar, on the west side of the border.Nowadays you can drink in whichever bar you like, and no, people will not start speaking Welsh the moment you go in