The Vietnam War ended 50 years ago. But its lessons live on in The Quiet American

Alden Pyle (Brendan Fraser) was a “quiet American”, says Thomas Fowler (Michael Caine) to a French policeman. “A friend,” he adds, as the lifeless corpse of Pyle stares back at him with a wretched expression.This is the scene that opens Phillip Noyce’s Vietnam-set political drama before the film flashes back a few months earlier to 1952 Saigon, where Fowler, an ageing Englishman, lives leisurely as a journalist reporting on the first Indochina war. When Pyle, a young American aid worker advocating for US intervention, falls for Fowler’s 20-year-old Vietnamese lover, Phượng (Đỗ Thị Hải Yến), the jaded reporter’s tranquil existence begins to unravel.At Pyle and Fowler’s first meeting at the Continental hotel, it is clear that Pyle is anything but “quiet”: handsomely bespectacled, the American idealist is attentively reading Dangers to Democracy, a book on foreign policy

‘Fans stole my underwear – and even my car aerial’: how Roxette made It Must Have Been Love

‘We had 2,000 people outside our hotel room in Buenos Aires singing our songs all night. David Coulthard later told me that all the Formula One drivers were staying there and were annoyed because they couldn’t sleep’In my early 20s, I was in the biggest band in Sweden. But after Gyllene Tider [Golden Times] collapsed, I was depressed for two years. At first, Roxette only got together when Marie Fredriksson, our singer, wasn’t busy with solo stuff. To keep her in the band, I needed to make it successful, so I was very motivated

My cultural awakening: The Lehman Trilogy helped me to live with my sight loss

I began to notice my sight deteriorating in my 40s, but not just in the way that you expect it to with age. I had night blindness and blind spots in my field of view. At 44, I was diagnosed with retinitis pigmentosa, a genetic eye condition that causes the retina cells to die. I had always been a very visually oriented person: I was a practising architect, and someone who loved to read, draw, go to the cinema and visit art exhibitions. So when black text disappeared on a glaring white page, films became impossible to follow and artworks only took shape once explained to me, I questioned who I would be without my vision

From Eleanor the Great to Emily in Paris: your complete entertainment guide to the week ahead

Eleanor the GreatOut nowJune Squibb stars in Scarlett Johansson’s directorial debut, which premiered at Cannes and tells the tale of the eponymous Eleanor, a senior citizen recently relocated to New York, who strikes up a friendship with a 19-year old – and then stumbles her way into pretending to be a Holocaust survivor.LurkerOut nowA hit at Sundance, this is the story of a lowly retail employee who happens to strike up a friendship with a rising pop star, becoming the Boswell to his Johnson, if Boswell was part of a pop star’s entourage. But the path of friendship with a famous person never did run smooth, and the uneven power dynamic soon prompts some desperate manoeuvring in this psychological thriller.Ella McCayOut nowEmma Mackey stars in the latest from James L Brooks (his first since 2010), a political comedy about an idealistic thirtysomething working in government and preparing to step into the shoes of her mentor, Governor Bill (Albert Brooks). Jamie Lee Curtis co-stars as Ella’s aunt

Stephen Colbert on Trump’s ‘gold card’: ‘Pay-to-play program for rich foreigners’

Late-night hosts tore into Donald Trump’s new “gold card” immigration program and his many weird tangents about grocery prices.Stephen Colbert opened Thursday’s Late Show with a new Christmas jingle about the president: “He’s making a list, checking it twice, then handing that list to the people at ICE. Donald Trump … ruins everything he touches,” he sang. “And lately he’s been pretty handsy, slapping his face on anything in sight.”On Wednesday, Trump put his face on what Colbert called “his long-promised pay-to-play program for rich foreigners”

‘Like lipstick on a fabulous gorilla’: the Barbican’s many gaudy glow-ups and the one to top them all

The brutalist arts-and-towers complex, where even great explorers get lost, is showing its age. Let’s hope the 50th anniversary upgrade is better than the ‘pointillist stippling’ tried in the 1990sThe Barbican is aptly named. From the Old French barbacane, it historically means a fortified gateway forming the outer line of defence to a city or castle. London’s Barbican marks the site of a medieval structure that would have defended an important access point. Its architecture was designed to repel

Maria Balshaw to step down as director of Tate after nine years

Maria Balshaw is to step down as the director of Tate in 2026, after a challenging nine-year tenure when she steered the organisation through the Covid-19 pandemic and had to deal with fluctuating attendance figures and financial instability.Balshaw, who joined as director in June 2017 after a celebrated spell as the leader of the Whitworth in Manchester, said it was a privilege to serve as director but now was the time for her to move on.She said: “With a growing and increasingly diverse audience, and with a brilliant forward plan in place, I feel now is the right time to pass on the baton to the next director. My greatest thrill has always been to work closely with artists, and so it is fitting that Tracey Emin’s exhibition will be my final project at Tate.”Balshaw was described as a “trailblazer” by the Tate chair, Roland Rudd, who said she “has never wavered from her core belief – that more people deserve to experience the full richness of art, and more artists deserve to be part of that story”

‘Astonishing’: how Stanley Baxter’s TV extravaganzas reached 20 million

The description “special” is overused in television schedules; Stanley Baxter’s programmes justify it. The comedian is one of the few stars whose reputation rests on a handful of astonishing one-offs – standalone comic extravaganzas screened in the 1970s and 1980s, first by ITV’s London Weekend Television and then the BBC.In both cases, the networks ended their associations with Baxter not because of lack of audience interest – at their peak, the shows reached more than 20 million viewers – but due to the colossal costs demanded by the performer’s vast and perfectionist visual ambition. One of Baxter’s favourite conceits was to re-create, in witty pastiche, scenes from big-budget Hollywood movies that made it look as if his versions had also spent millions of dollars.Cashflow was further stretched by the fact that Baxter played multiple roles – 18 of them in one sketch

Barbican to close its doors for a year for multimillion-pound renovation

The Barbican will close its doors for 12 months from June 2028 as it undergoes a multimillion-pound renovation that its leaders say will secure its future.The arts organisation’s Beech Street cinemas will remain open but its theatre, music venue, conservatory and visual arts galleries are set to shutter as the overhaul of the 43-year-old building begins in the lead-up to its 50th anniversary in 2032.The main Barbican site will close its doors in June 2028 and reopen in June 2029, but some disruption will happen before that as the foyer, lakeside area and internal control room are all renovated.The conservatory, which is open only for a few hours at the weekend and currently has netting to stop falling glass, will close earlier, in 2027.Philippa Simpson, the director of buildings and renewal at the Barbican, said the work could not be completed while the site was open to the public as it would be too dangerous, but that it was essential to secure the site’s future