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The Guide #222: From Celebrity Traitors to The Brutalist via Bad Bunny – our roundup of the culture that mattered in 2025
It’s time to look back on a year of Traitors and Sinners, of Bad Bunnies and Such Brave Girls, with the Guide’s now annual roundup of the year’s best culture. As ever, the Guardian is already knee-deep in lists – of films (UK and US), albums (across rock and pop, and classical), TV shows, books and games, and theatre, comedy and dance. Some of those have already counted down to No 1, others will reach their respective summits in the coming days, so keep an eye on the homepage.Our list meanwhile is entirely, unapologetically partial, and definitely not as comprehensive as The Guardian’s many top 50s: there are numerous albums we never got around to hearing, and TV shows we’re still only halfway through. (Pluribus, Dope Thief and Blue Lights, I will return to you, I promise!) But hopefully it should give a flavour of a year that, despite so many headwinds, was a pretty strong one for culture
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From Avatar to Amadeus: your complete entertainment guide to the week ahead

Avatar: Fire and AshOut now James Cameron comes down with a case of the Christmas blues, so to speak, as the director’s record-breaking franchise epic returns once more to planet Pandora for more internecine strife and respecting of the splendour of the natural world, rendered in dazzling motion-capture glory.Silent Night, Deadly NightOut now Actor Rohan Campbell graduates from Michael Myers wannabe in the fairly dire Halloween Ends, to main bogeyman Billy Chapman in the latest instalment of the Silent Night, Deadly Night franchise (second remake, seventh film overall, fact fans). Per franchise lore, he witnessed his parents’ murder-by-Santa aged five, and the rest is grisly history.Fackham HallOut now Jimmy Carr turns his hand to screenwriting with this parody of Downton Abbey-type films. Given the actual Downton Abbey films already play as a parody of Downtown Abbey-type films, there may not be much to add, but a cast including Thomasin McKenzie, Katherine Waterston, Damian Lewis and Anna Maxwell Martin are here to give it their best shot

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Jimmy Kimmel on a tumultuous year: ‘Don’t know what the American way even is any more’

Late-night hosts reflected on a rollercoaster 2025 and Donald Trump’s combative, primetime year-end address to the nation.Jimmy Kimmel opened his final monologue of 2025 with an emotional reflection on a tumultuous year. “This has been a strange year. It’s been a hard year,” he said. “We’ve had some lows

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Jimmy Kimmel on Trump’s speech: ‘Surprise primetime episode of The Worst Wing’

Late-night hosts discussed – or ignored – Donald Trump’s surprise primetime address and dug further into the explosive new interview the White House chief of staff, Susie Wiles.Jimmy Kimmel opened his Wednesday night show with an acknowledgment of the president’s 9pm ET national address, also known as a “surprise primetime episode of The Worst Wing tonight on every channel”.Trump announced only on Tuesday that he would deliver an impromptu fireside chat during the season finales of Survivor and The Floor. “It’s weird to think that had a couple of states just gone the other way, he’d be hosting one of those shows,” Kimmel joked. “Trump shouldn’t be pre-empting The Floor

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The 50 best albums of 2025: No 3 – Blood Orange: Essex Honey

Dev Hynes’ deeply personal response to his mother’s death embodied the many unexpected shades of grief in pastoral hymnals and post-punk The 50 best albums of 2025 More on the best culture of 2025There’s a lot of grief across the best albums of this year. It’s unsurprising: 2025 has felt like a definitive and dismal break with government accountability, protections for marginalised people and holding back the encroachment of AI in creative and intellectual fields, to cherrypick just a few horrors. Anna von Hausswolff and Rosalía reached for transcendence from these earthly disappointments. Bad Bunny and KeiyaA countered colonial abuse and neglect with writhing resistance anthems. On a more personal scale, Lily Allen and Cate Le Bon grappled with disillusionment about mis-sold romantic ideals

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The Hodge report into Arts Council England: ‘Not exactly a ringing endorsement’

The arts in England are underfunded, and were dealt a blow by Covid from which many organisations have not yet recovered. But that has been only part of the story. The sheer weight of required form-filling, the endless bureaucracy, the impracticable length of time it takes to simply be funded by Arts Council England (ACE) have caused universal frustration among those working in the arts. There is much talk of exhaustion and burnout.Many organisations have felt frustrated, too, by the strictures of ACE’s flagship strategy, Let’s Create, which, though admirable in principle, with its focus on participation in the arts, is perhaps tilted too far from recognising the expertise and individuality of artists and arts institutions

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Jimmy Kimmel on Trump’s Rob Reiner comments: ‘So hateful and vile’

Late-night hosts reacted to the murder of legendary director Rob Reiner and his wife, Michele Singer Reiner, as well as Donald Trump’s 10-minute tangent about Christmas snakes.“This is the kind of weekend that makes you wonder if things will ever feel good again,” said Jimmy Kimmel on Monday evening, after a couple days of horrific news: the terror attack at a Hanukkah celebration on Australia’s Bondi Beach, a mass shooting at Brown University in Rhode Island, and the “murder of one of our greatest directors and patriots, Rob Reiner, and his wife, Michele Reiner”.“What we need in a time like this, besides common sense when it comes to guns and mental health care, is compassion and leadership,” he continued. “We did not get that from our president, because he has none of it to give. Instead, we got a fool rambling about nonsense

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The Vietnam War ended 50 years ago. But its lessons live on in The Quiet American

Alden Pyle (Brendan Fraser) was a “quiet American”, says Thomas Fowler (Michael Caine) to a French policeman. “A friend,” he adds, as the lifeless corpse of Pyle stares back at him with a wretched expression.This is the scene that opens Phillip Noyce’s Vietnam-set political drama before the film flashes back a few months earlier to 1952 Saigon, where Fowler, an ageing Englishman, lives leisurely as a journalist reporting on the first Indochina war. When Pyle, a young American aid worker advocating for US intervention, falls for Fowler’s 20-year-old Vietnamese lover, Phượng (Đỗ Thị Hải Yến), the jaded reporter’s tranquil existence begins to unravel.At Pyle and Fowler’s first meeting at the Continental hotel, it is clear that Pyle is anything but “quiet”: handsomely bespectacled, the American idealist is attentively reading Dangers to Democracy, a book on foreign policy

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My cultural awakening: The Lehman Trilogy helped me to live with my sight loss

I began to notice my sight deteriorating in my 40s, but not just in the way that you expect it to with age. I had night blindness and blind spots in my field of view. At 44, I was diagnosed with retinitis pigmentosa, a genetic eye condition that causes the retina cells to die. I had always been a very visually oriented person: I was a practising architect, and someone who loved to read, draw, go to the cinema and visit art exhibitions. So when black text disappeared on a glaring white page, films became impossible to follow and artworks only took shape once explained to me, I questioned who I would be without my vision

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‘Like lipstick on a fabulous gorilla’: the Barbican’s many gaudy glow-ups and the one to top them all

The brutalist arts-and-towers complex, where even great explorers get lost, is showing its age. Let’s hope the 50th anniversary upgrade is better than the ‘pointillist stippling’ tried in the 1990sThe Barbican is aptly named. From the Old French barbacane, it historically means a fortified gateway forming the outer line of defence to a city or castle. London’s Barbican marks the site of a medieval structure that would have defended an important access point. Its architecture was designed to repel