H
trending
H
HOYONEWS
HomeBusinessTechnologySportPolitics
Others
  • Food
  • Culture
  • Society
Contact
Home
Business
Technology
Sport
Politics

Food

Culture

Society

Contact
Facebook page
H
HOYONEWS

Company

business
technology
sport
politics
food
culture
society

© 2025 Hoyonews™. All Rights Reserved.
Facebook page

Government’s process behind tackling violence against women ‘worse than under the Tories’

1 day ago
A picture


Leading organisations have criticised the development of the government’s flagship violence against women and girls strategy, calling the process chaotic, haphazard and “worse than under the Tories”,Ministers are gearing up for a policy announcement blitz before the publication of the long-awaited plan next week,Important voices in the violence against women and girls (VAWG) sector have privately accused ministers of sidelining first-hand expertise and expressed concern that the strategy will not be sufficiently radical to achieve the government’s flagship manifesto promise to halve the rate of VAWG in the UK in a decade,Initially expected in spring, the VAWG strategy was delayed until summer and then autumn,On Friday it emerged that schoolboys would be the target of the strategy, which the BBC reported would be built around the pillars of preventing radicalisation of young men, stopping abusers and supporting victims.

But multiple sources from organisations working in the VAWG sector said they had felt sidelined during the devising of the strategy.One figure in the sector, comparing the past 18 months with the process before the strategy produced in 2019 by the Conservative government, said: “It is worse than under the Tories.In fact, we were so much better off under the Tories, you could get a meeting, they engaged with you.This whole process has been incredibly haphazard.”Another figure in the sector noted that after the murder of Sarah Everard, the Conservative government reopened a public consultation.

“We saw more senior ministers and had more contact with the secretary of state under the last government,” they said,“Ministers like Alex Davies-Jones and Jess Phillips have clearly worked hard on this, but it feels the machine has worked against them,”Further concern is that the publication of the strategy, which is expected just before parliament closes for the Christmas recess, will be lost,“They’ve had 18 months and now they’re scrabbling around in the last week of parliament,It just feels like an afterthought,” said one source.

“It hasn’t felt like it’s been a properly considered process where they’ve really sought the expertise in a considered way.It’s been slightly haphazard.”On Tuesday Karen Bradley, the chair of the home affairs committee, wrote to Phillips and Davies-Jones to complain that “there has been poor engagement and transparency with VAWG stakeholders throughout the development of the VAWG strategy”.She noted that the VAWG advisory board – which contained experts to guide policy – had met only twice in person and once online and its role had been limited.Andrea Simon, the director of the End Violence Against Women and Girls coalition, said there had been positive moves from the government, including £550m of funding for victim support, and proposed law changes to improve the fair treatment of victims in rape trials and ban depictions of strangulation in pornography.

She called on the government to commit to a monitoring and evaluation structure for the strategy, to ensure accountability.“Without that, the government will potentially fall foul of the lack of oversight we’ve seen in previous, underresourced strategies,” she said.“There has been a lot of rhetoric about commitment to halving VAWG through a cross-government approach, but that won’t stand up unless they are willing to be open, transparent, and bring in external scrutiny.”While stories were emerging about the strategy in the press, a different figure said a full document had not been shared with even a small number of trusted parties.“You have to ask how a cross-governmental, strong strategy is being built if none of the experts are at the table,” they said.

Karen Ingala Smith, a co-founder of the Femicide Census, said it was “disappointed” not to have been invited to join the VAWG advisory board, adding that the two wider meetings she or her co-founder, Clarrie O’Callaghan, had attended felt like “box-ticking” exercises.“It felt like it wouldn’t have mattered what we said, it wasn’t going to make any difference to what was written,” she said.“It felt perfunctory and tokenistic.”For the past decade the Femicide Census has provided Phillips with the names of all women killed by men over a year for her to read out in parliament near International Women’s Day.The VAWG minister told the Guardian last year that ending the “scourge of femicide” would be a “fundamental part” of the government’s promise to drastically reduce violence against women and girls.

“But it has been quiet since then, and we are concerned that promise will be watered down,” said Ingala Smith,A government spokesperson said: “It is our mission to halve violence against women and girls within the next decade,This requires a total transformation across government,“Our violence against women and girls strategy does exactly that,It is targeted at preventing these awful crimes, tackling perpetrators so they can’t offend again, and helping victims to get justice.

”
cultureSee all
A picture

‘Like lipstick on a fabulous gorilla’: the Barbican’s many gaudy glow-ups and the one to top them all

The brutalist arts-and-towers complex, where even great explorers get lost, is showing its age. Let’s hope the 50th anniversary upgrade is better than the ‘pointillist stippling’ tried in the 1990sThe Barbican is aptly named. From the Old French barbacane, it historically means a fortified gateway forming the outer line of defence to a city or castle. London’s Barbican marks the site of a medieval structure that would have defended an important access point. Its architecture was designed to repel

1 day ago
A picture

Maria Balshaw to step down as director of Tate after nine years

Maria Balshaw is to step down as the director of Tate in 2026, after a challenging nine-year tenure when she steered the organisation through the Covid-19 pandemic and had to deal with fluctuating attendance figures and financial instability.Balshaw, who joined as director in June 2017 after a celebrated spell as the leader of the Whitworth in Manchester, said it was a privilege to serve as director but now was the time for her to move on.She said: “With a growing and increasingly diverse audience, and with a brilliant forward plan in place, I feel now is the right time to pass on the baton to the next director. My greatest thrill has always been to work closely with artists, and so it is fitting that Tracey Emin’s exhibition will be my final project at Tate.”Balshaw was described as a “trailblazer” by the Tate chair, Roland Rudd, who said she “has never wavered from her core belief – that more people deserve to experience the full richness of art, and more artists deserve to be part of that story”

1 day ago
A picture

‘Astonishing’: how Stanley Baxter’s TV extravaganzas reached 20 million

The description “special” is overused in television schedules; Stanley Baxter’s programmes justify it. The comedian is one of the few stars whose reputation rests on a handful of astonishing one-offs – standalone comic extravaganzas screened in the 1970s and 1980s, first by ITV’s London Weekend Television and then the BBC.In both cases, the networks ended their associations with Baxter not because of lack of audience interest – at their peak, the shows reached more than 20 million viewers – but due to the colossal costs demanded by the performer’s vast and perfectionist visual ambition. One of Baxter’s favourite conceits was to re-create, in witty pastiche, scenes from big-budget Hollywood movies that made it look as if his versions had also spent millions of dollars.Cashflow was further stretched by the fact that Baxter played multiple roles – 18 of them in one sketch

1 day ago
A picture

Barbican to close its doors for a year for multimillion-pound renovation

The Barbican will close its doors for 12 months from June 2028 as it undergoes a multimillion-pound renovation that its leaders say will secure its future.The arts organisation’s Beech Street cinemas will remain open but its theatre, music venue, conservatory and visual arts galleries are set to shutter as the overhaul of the 43-year-old building begins in the lead-up to its 50th anniversary in 2032.The main Barbican site will close its doors in June 2028 and reopen in June 2029, but some disruption will happen before that as the foyer, lakeside area and internal control room are all renovated.The conservatory, which is open only for a few hours at the weekend and currently has netting to stop falling glass, will close earlier, in 2027.Philippa Simpson, the director of buildings and renewal at the Barbican, said the work could not be completed while the site was open to the public as it would be too dangerous, but that it was essential to secure the site’s future

2 days ago
A picture

Seth Meyers to Trump: ‘You can’t convince people the economy is good when they can see the truth’

Late-night hosts recapped Donald Trump’s attempts to reassure Americans on the economy as the private sector sheds jobs and grocery prices keep rising.Seth Meyers devoted his main segment on Wednesday’s Late Night to the US economy, which has seen better days. “Costs of everything, from food to electricity, are soaring while employers are shedding jobs,” he explained. “This is when a president needs to show empathy and demonstrate that he knows the plight of hardworking Americans, and – oh no, as I’m saying this I’m remembering who I’m talking about and realizing that there’s no fucking way he’s going to do that.”Instead the president, in an interview with Politico this week, gave the economy the grade of “A+++++”

2 days ago
A picture

The world’s most sublime dinner set – for 2,000 guests! Hyakkō: 100+ Makers from Japan review

Japan House, LondonThe fruit of a two-year odyssey through the workshops of artisans using ancient techniques, this delightful show features rippling chestnut trays, exquisitely turned kettles and vessels crafted from petrified leatherAs a retort to the doom-mongering prognostications of AI’s dominance over human creativity, it is momentarily comforting to tally up the things it cannot do. It cannot throw a pot, blow glass, beat metal, weave bamboo or turn wood. Perhaps, when it has assumed absolute control of human consciousness and the machinery of mass production, it will be able to. But for now, throwing a vessel and weighing its heft in your hand, or carving a tray and sizing up its form with your eye are still the preserve of skilled craftspeople, using techniques their distant ancestors would recognise.On show at London’s Japan House is the work of more than 100 pairs of eyes and hands, constituting an overwhelming profusion of human creativity, corralled into an exhibition of laconic simplicity

3 days ago
foodSee all
A picture

Nine bring-a-plate ideas for Christmas drinks, barbecues and dinner parties this summer – recipes

3 days ago
A picture

Toffee Crisp and Blue Riband no longer called ‘chocolate’ after recipe change

3 days ago
A picture

How to use a spent tea bag to make a boozy, fruity treat – recipe | Waste not

4 days ago
A picture

Christmas food gifts: Gurdeep Loyal’s recipes for Mexican-spiced brittle and savoury pinwheels

4 days ago
A picture

Festive treats: Adriann Ramirez’s recipes for pumpkin loaf and gingerbread cookies

5 days ago
A picture

Nutcracker stocking fillers: Brian Levy’s recipe for sugar plum and coffee cookies | The sweet spot

6 days ago