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Palantir deals are a threat to our data rights as UK citizens | Letters

1 day ago
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For 100 years, the UK government has led us through existential threats, including two world wars.But instead of resisting the latest threat to democratic accountability, it has welcomed it with open arms: Palantir Technologies (NHS deal with AI firm Palantir called into question after officials’ concerns revealed, 12 February).This polarising US surveillance giant provides data-fusion and AI platforms used by by the US for immigration enforcement and by Israel in the Gaza conflict.Its software amplifies state power through militarised analytics and opaque algorithms.The current government hasn’t just surrendered citizens’ data rights to Palantir – it has paid for the privilege.

Palantir is a power project rooted in data dominance, treating sensitive public information not as sacrosanct, but as fuel for systems designed to concentrate control.How did this happen? Disclosures from the Jeffrey Epstein files cast light on Palantir’s expansion within an increasingly Americanised and rotten British establishment.Epstein associate Peter Thiel co-founded Palantir, while Epstein’s friend, Peter Mandelson, introduced the company to Keir Starmer in Washington.This opened the door for a £330m NHS contract, and also a £240m Ministry of Defence deal that was awarded without competitive tender.Let the UK stand as a warning of what happens when a “special relationship” curdles into dependency – trading sovereignty for code designed to control.

Stephen SaundersRodmell, East Sussex The government is sufficiently anxious about Trump’s ability to turn off US-owned payment systems, and the disruption this would cause, to begin planning an alternative (UK bank bosses plan to set up Visa and Mastercard alternative amid Trump fears, 16 February).Why then is the government not equally concerned about the UK’s heavy dependence on tech giants that have close ties to the US administration?Jan SavageLondon Have an opinion on anything you’ve read in the Guardian today? Please email us your letter and it will be considered for publication in our letters section.
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Philippe Gaulier obituary

In 1980 the École Philippe Gaulier opened its doors in Paris to help performers find and celebrate their “inner idiot”. The school quickly became the prime destination for clown training, attracting theatre students, actors and curious others from around the world.Philippe, who has died aged 82 following a lung infection, made the concept of le jeu – play – central to his teaching. For him, comedy was not about jokes but about danger: the moment when a performer risks failure or ridicule in pursuit of delight. His clowns were not sentimental innocents but mischievous creatures who loved the audience and longed to be loved in return

1 day ago
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‘Musicians drank too much and slept on my barn floor’: Andrew Bird on making cult album The Mysterious Production of Eggs

We had a family farm three hours west of Chicago, and when I was scoping out potential studio spaces I remembered some barns where my brother and I used to make forts out of hay bales when we were little. One was in rough shape and had racoons living in it, but I got a local carpenter to do the skilled jobs and I did the mundane stuff such as boards for the ceiling. Then I just moved in, but I hadn’t realised how isolating it would be. It was February and snowing and none of my friends had cars. I’d go for two weeks at a time without speaking to anyone

1 day ago
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Is the UK’s golden era of free museum entry coming to an end?

For a quarter of a century, visitors to the UK’s national museums and galleries have enjoyed universal free entry to see permanent collections.The policy, introduced by the New Labour government in 2001, has been widely credited with improving access to culture and significantly increasing footfall to some of the country’s best-known attractions.But as funding pressures deepen across the sector, and running costs increase, a policy once treated as untouchable is now under renewed scrutiny.The tension was brought into focus this week, when the National Gallery announced it was to make significant cuts in the face of an £8.2m deficit in the coming year, which could mean fewer free exhibitions, reduced international borrowing of artworks and higher ticket prices

3 days ago
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The Guide #231: ​How the ​hunt for the ​next James Bond ​became the ​franchise’s ​best ​marketing ​tool

Callum Turner’s turn as James Bond lasted at most a couple of weeks. No sooner had he been enshrined as frontrunner to succeed Daniel Craig, than he was nudged from the DB5 driver’s seat by the latest heir apparent, Jacob Elordi, installed as the new bookies’ favourite after his smouldering, highly profitable performance in Wuthering Heights. Smarting somewhere in the background is Aaron Taylor-Johnson, who seemed locked in for the job a couple of years ago, enjoying the backing of former 007s Pierce Brosnan and George Lazenby, but now seems to have fallen out of favour. And don’t forget the succession of other dead cert Bonds now banished to the back of the odds market: the long-rumoured likes of Tom Hardy and Idris Elba (both now likely to have aged out of the role); Theo James; James Norton; Josh O’Connor; Harris Dickinson; Bridgerton’s Rége-Jean Page; and approximately 5,000 other predominately British actors who have enjoyed box office success/led a successful TV drama/look good in a tuxedo.On and on the hunt goes

4 days ago
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My cultural awakening: Operation Mincemeat taught me how to cry – now I sob at everything

A musical number about a woman’s letter to her husband on the second world war frontline unlocked my ability to blub – and made me a happier personI am sure I must have cried as a child, but by the time I was a teenager it had stopped. It was probably a boarding school thing. Very stiff upper lip. My parents are not the most emotionally available human beings, either. I like to tease them by saying: “I love you

4 days ago
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From Good Luck, Have Fun, Don’t Die to Tracey Emin: your complete entertainment guide to the week ahead

Sam Rockwell stars in Gore Verbinski’s madcap sci-fi comedy, and the YBA Goat is back with a new exhibition at the Tate ModernGood Luck, Have Fun, Don’t DieOut now If Sam Rockwell materialised in an LA diner dressed like something that escaped from an off-Broadway production of Starlight Express, wouldn’t you hear him out? In visionary director Gore Verbinski’s new film, Rockwell plays a man from the future, who has come back to warn us about the perils of artificial intelligence. Sold.The MomentOut now A couple of weeks after appearing in a small role in 100 Nights of Hero, Charli xcx is back on the big screen as a pop star preparing for her tour while navigating the difficulties that inevitably accompany a stratospheric rise to the top. She is – as they say – the moment.If I Had Legs I’d Kick YouOut now Rose Byrne stars as a therapist dealing with more than her fair share of her own obstacles: her young child is ill, her unsupportive husband is away working and she has a tricky relationship with … you’ve guessed it, her therapist

4 days ago
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Trump’s new global tariffs kick in at 10%; Bank of England governor says March rate cut ‘open question’ – as it happened

about 6 hours ago
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US datacenters face slew of problems amid grassroots protests against AI

about 7 hours ago
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Reddit fined £14.5m in UK over use of under-13s’ data

about 6 hours ago
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‘A feedback loop with no brake’: how an AI doomsday report shook US markets

about 7 hours ago
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England edge past Pakistan: T20 Cricket World Cup Super 8s – as it happened

about 5 hours ago
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Harry Brook’s 50-ball century blazes England past Pakistan into T20 World Cup semi-finals

about 5 hours ago