Claire Denis’s Stars at Noon: who knew the end of the world could feel so romantic?

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From a squad of young soldiers stationed in the middle of the Djiboutian desert to a stubborn plantation mistress refusing to abandon her estate amid a brewing civil war, Claire Denis’s films have placed some of cinema’s most alluring stars in some of the world’s most volatile environments,Stemming from her memories growing up as a child throughout West Africa, the legendary French film-maker has possessed a career-long fascination with the everlasting ripples of colonial oppression and its lingering psychic effects on native communities,On paper, her 2022 film Stars at Noon seemed to be another one of these stories: a return to the material that launched the 79-year-old director to global acclaim more than three decades ago,But when the lights inside the Lumière auditorium finally went up after the film’s glitzy world premiere at Cannes, critics noted that the immediate reaction to Denis’s movie was instead a confused and puzzling silence,A storm has just rolled through town when we’re first introduced to Trish (Margaret Qualley), a disillusioned American journalist stranded in a Covid-stricken Nicaragua turning tricks in order to survive.

Realising her goodwill with the local government is running thin thanks to her persistent coverage of brutal extrajudicial killings, she ignites a romance with Daniel (Joe Alwyn), a mysterious British petrochemical consultant she sidles up to one night at a hotel bar, in the hopes he will provide her with a feasible way out of the country.Though Denis had already planned to move the film away from the turbulent Sandinista-era setting of Denis Johnson’s 1986 novel of the same name, pandemic-related production delays also saw the director choose to include elements of Nicaragua’s stringent health restrictions directly into the fabric of the movie.As Trish aimlessly floats between flophouses and fast-food joints across town, the scores of masked strangers crowding her route only amplify the shadowy mood of a city where everybody has a secret they’re desperate to hide.That strange and elliptical atmosphere will be familiar to anyone who has had the pleasure of watching a Claire Denis movie; a byproduct of the film-maker’s actor-centric approach to storytelling that favours the innermost carnal desires of her characters above any conventional notions of narrative.Qualley, who trained as a ballet dancer before making the jump to acting, glides through each scene with a careless and forlorn physicality, while Alwyn on the other hand – who landed the gig after fellow British heart-throbs Robert Pattinson and Taron Egerton passed on the role due to scheduling conflicts – carries a pathetic imitation of confidence that droops over every frame.

The casting of these two Hollywood stars, both with skin as pale as ghosts, was a point of friction for critics at Cannes who questioned whether the film was just another foregrounding of white hardship against the backdrop of the global south.When it’s eventually implied that Daniel is in the country on more nefarious business – disclosed to Trish by a character known simply as “CIA Man” (played with menacing glee by Benny Safdie) – it becomes clear the duo’s existence as foreign interlopers is hostile and unwanted.“Just wait until American tanks come and crush your hopeless country,” Trish haphazardly snarls to one pencil-pushing Nicaraguan official after he denies her a new passport.“You’re going to be boiled alive.”The pair’s burning fixation with each other is what propels much of the movie forward, their impulsively horny decisions wreaking havoc wherever they tread, despite knowing their time together must soon come to an end.

This impending doom threatens to boil over in the film’s stunning climax: a hypnotic dance sequence set underneath the fuchsia glow of a near-empty nightclub.Scored to a dreamy jazz piece by Denis’s frequent musical collaborators Tindersticks, the camera observes two lovers tangling as if it’s their last day on Earth, drifting in and out of frame before finally breaking apart.Who knew the end of the world could feel so romantic?Stars at Noon is streaming on Prime Video and SBS on Demand in Australia and available to rent in the UK and US.For more recommendations of what to stream in Australia, click here
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‘It turned out I had a brain tumour …’ Six standup comics on what spurred them to get on stage

When it comes to origin stories, comedians have some of the strangest – from performing for a £5 bet to getting back at their boss to making an unlikely pact with a friendNot all standup comedians wake up one day and decide to be funny for a living. That wasn’t the case for John Bishop, anyway. He took up comedy to avoid paying a bar’s cover charge and to escape his failing marriage – a story that inspired Bradley Cooper’s new film, Is This Thing On? And Bishop is not the only comic with an unusual origin story. From impressing girlfriends to losing their voices, brain tumours to bad bosses – or not wanting to lose a £5 bet – British comics told us the reasons they became standup comedians and the lengths to which they went to get on stage for the first time.The first time I had an inkling I wanted to be a standup was at 14, in the school canteen, when my friend Tom and I were talking about what we thought we’d be when we grew up

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Claire Denis’s Stars at Noon: who knew the end of the world could feel so romantic?

From a squad of young soldiers stationed in the middle of the Djiboutian desert to a stubborn plantation mistress refusing to abandon her estate amid a brewing civil war, Claire Denis’s films have placed some of cinema’s most alluring stars in some of the world’s most volatile environments.Stemming from her memories growing up as a child throughout West Africa, the legendary French film-maker has possessed a career-long fascination with the everlasting ripples of colonial oppression and its lingering psychic effects on native communities.On paper, her 2022 film Stars at Noon seemed to be another one of these stories: a return to the material that launched the 79-year-old director to global acclaim more than three decades ago. But when the lights inside the Lumière auditorium finally went up after the film’s glitzy world premiere at Cannes, critics noted that the immediate reaction to Denis’s movie was instead a confused and puzzling silence.A storm has just rolled through town when we’re first introduced to Trish (Margaret Qualley), a disillusioned American journalist stranded in a Covid-stricken Nicaragua turning tricks in order to survive

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Eric Huntley obituary

Eric Huntley, who has died aged 96, was the co-founder with his wife, Jessica, of the radical publishing house Bogle L’Ouverture, set up in London in 1968 to showcase black writing talent. Initially run on a printing press in their west London living room, the venture soon outgrew those makeshift premises, and in 1975 became the Bogle L’Ouverture bookshop, which established itself as a community hub and informal advice centre as well as a place to buy books from outside the mainstream.Among the authors championed by Bogle L’Ouverture were Linton Kwesi Johnson, Valerie Bloom, Lemn Sissay, Beryl Gilroy and Donald Hinds, while the Huntleys also became involved in creating the International Book Fair of Radical and Third World Books, which ran from 1982 to 1995, uniting and amplifying the thoughts of black intellectuals, creatives and activists across continents.Aside from his work in publishing, Huntley was for many years involved in racial justice campaigns in the UK. He was a key figure in the Caribbean Education and Community Workers Association and the Black Parents Movement; the first formed in response to the racist labelling of large numbers of black children as “educationally subnormal” and the second campaigning against “sus” laws that allowed police to stop, search, and arrest individuals on suspicion of intent to commit a crime – a facility that was deployed disproportionately against young black people in the 1970s and 80s

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‘We get a lot of requests for it to be used in sex scenes’: how Goldfrapp made Ooh La La

‘I couldn’t think of a line for the chorus – but we had just been to France. I got Baudelaire into the lyrics somewhere, too’This song was an ode to glam rock. My older sister was really into Marc Bolan and her passion for him and his sound really rubbed off on me. I love the vocal effects and drum sounds on those old records.I couldn’t think of a lyric for the chorus, though, and I thought to myself: “What do I need?” We’d just been to France, hence the “Ooh la la”, but we wondered if it was sufficient

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Blurry rats and coyotes with mange: the oddly thrilling subreddit dedicated to identifying wildlife

I spent the first decade of my life in Vancouver Island, Canada, in an area rich with parks, lakes and forests. Deer would occasionally wander into our neighbourhood and nibble on the blossoms in our front yard. In that neck of the (literal) woods, mountains and deer also mean cougars.My sister and I would play at a local park, then walk home along a track parallel to a dense forest. My older sister, being three and a half years ahead of me in life and therefore lightyears ahead of me in wisdom, would helpfully declare that if we encountered a cougar it would attack me, not her, as I’m the smaller prey

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‘She was a bitch in the best possible way’: the life and mysterious death of drag queen Heklina

The performer was found dead in ‘unexpected’ circumstances in her London flat in 2023. Why are her loved ones still waiting for an explanation?In commemorations and memorials after her death, the view was unanimous: Heklina had been a bitch. In the world of San Francisco’s drag scene, where she made her name, this wasn’t meant as an insult. Heklina had been a legendary performer whose stage persona was equal parts raunchy and abrasive, slinging insults known as “reads” in fine drag tradition. “Yeah, she was a bitch,” recalls her longtime collaborator Sister Roma, “but she was a bitch in the best possible way