‘We get a lot of requests for it to be used in sex scenes’: how Goldfrapp made Ooh La La

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‘I couldn’t think of a line for the chorus – but we had just been to France.I got Baudelaire into the lyrics somewhere, too’This song was an ode to glam rock.My older sister was really into Marc Bolan and her passion for him and his sound really rubbed off on me.I love the vocal effects and drum sounds on those old records.I couldn’t think of a lyric for the chorus, though, and I thought to myself: “What do I need?” We’d just been to France, hence the “Ooh la la”, but we wondered if it was sufficient.

It felt good, though, so we stayed with it and kept layering the voice and then added these vocoder voices,We liked the synthetic robo feel alongside the natural voice,The lyrics were personal, about a relationship and how I was feeling,I like to use visual metaphors,The breakdown section, about breaking a heel on a shoe, came from this old 1950s film I’d seen on TV.

An image of a woman, walking along the road in a tight pencil skirt, limping because the heel had broken,That stuck with me,I had a book of Baudelaire poems hanging around, so I got him into the lyrics somewhere, too,Portishead’s Adrian Utley, a friend of ours, came in to play guitar, which was quite a departure for us because for ages we wanted to stay clear of guitars,He’s so instinctive the way he plays, incredibly lean with the notes.

He got the right tone immediately.For the video, I thought it would be fun to have an imaginary glam rock band.Dawn Shadforth was director, the late Cathy Edwards the stylist.We had some good budgets back then, there was plenty of time to do it all carefully with detail, no rushing.The song gets used in many places.

Some requests are pretty funny – often sex scenes.We’re not too precious but we have said no many times, too.I remember performing the song on US TV, being in this freezing cold studio waiting to go on air, and Simon Cowell was standing about six feet away with his arms crossed, doing that thing he does on The X Factor, a rather disapproving expression.He was wearing this pink fluffy jumper, which I became fixated on.“Wow!” he said.

“It’s all just kicking off for you in America, isn’t it?” I was already so nervous and him being there and saying that made me freeze with fright.I was listening to Ooh La La again recently for the first time in ages and was surprised at how little is actually in there.The whole thing hinges on the claps – it’s just claps, bass line, vocal, and a few little stabs from synths and guitars.We used to have this thing of renting spaces – usually slightly chintzy holiday homes – over winter when you could get a six-month let.The more lo-fi, the better.

It felt more satisfying than being in a flashy studio,And not being in London was important,A lot of great music comes from that isolation,The song was an outlier because every time we tried to change the chords, we thought: “Why don’t we just stay as we are?” So it’s literally a one-note piece,We were delighted that we’d somehow sidestepped all those complications that usually come with songwriting.

I made this mistake one day when I was playing the riff – I’d left a microphone on, so when I played it back, I got the sound of the bassline but also the clatter of the keys,I couldn’t get rid of it because it was all on one track, so it’s in there,I’m old enough to remember the 60s and thinking in the 70s: “Oh no, it’s all over, it’s all gone wrong,” I absolutely hated it after the Stones and the Beatles, but Alison was very good at educating me,I remember her playing me Joan Jett.

I needed talking round, but I got it.I didn’t appear in the video.That was probably a mutual choice.Alison has always had this great visual side.I would have looked like Ron Mael, the synth player from Sparks.

He used to do nothing – and I always thought I could relate to that.We got Mark “Spike” Stent interested, this amazing mixer who’s had millions of hits.We ended up camping in his studio while he was mixing and we were still writing.I felt like such an amateur – I couldn’t even get a bass track together without splitting it into a mosaic of different parts.But it was exciting, a real whirlwind.

The track still seems relevant, partly because of the synths and the simplicity.It doesn’t bed itself into an era particularly, because it’s got this mixture of things boiled down to something without putting a foot too far into any identifiable genre.Supernature by Goldfrapp 20th Anniversary Deluxe Edition is out now
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‘You’d be ashamed to bring someone here’: The struggling billionaire-owned high street that shows Reform’s road to No 10

Under blue skies and bunting, the whole of County Durham seemed to turn out for the young Queen Elizabeth II. They lined the streets in their thousands, waving flags and marvelling at the grand royal procession weaving past their newly built homes.It was 27 May 1960 and the recently crowned queen was officially opening the town of Newton Aycliffe on her first provincial tour after the birth of her third child, Andrew Mountbatten-Windsor, three months earlier. A 16-page commemorative pamphlet, priced at two shillings and sixpence, records the local Light Infantry buglers playing to the giddy crowd.The message was clear: Newton Aycliffe, a town built from scratch from the rubble of the second world war, heralded a new postwar Great Britain, a country that would give its people a modern, prosperous quality of life, free from the squalor of its bomb-scarred cities

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Seven out of 10 UK mothers feel overloaded, research reveals

Seven out of 10 mothers in the UK feel overloaded and almost half have a mental health issue such as anxiety or depression, new research has revealed.The survey of mothers’ experiences in 12 European countries also found that most of those in Britain still do the majority of household tasks and caregiving work alone, and that the UK was among the worst for motherhood disadvantaging a woman’s career.The grim picture that emerged from the report, by the pan-European campaign group Make Mothers Matter, prompted calls for GPs and NHS maternity and health visiting services to routinely ask mothers about their mental wellbeing and provide much more help to those who need it.Make Mothers Matter surveyed 800 mothers in each of 12 European countries about the psychological impact of giving birth and dealing with the pressures of motherhood.It found that:71% of UK mothers feel overloaded – 4% more than the 67% European average47% of UK mothers suffer from mental health issues, including burnout, compared with 50% in Europe as a whole31% of UK respondents felt motherhood had a negative effect on their career, higher than the 27% average, with Ireland the highest on 36%However, it also found some measures by which mothers in the UK find it easier to balance work and caring

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‘Keep slaying the dragon inside’: Simon Armitage pens poem for World Cancer Day

Cancer is a subject the poet laureate Simon Armitage has always shied away from. “I find it very daunting,” he said. “I’ve lost friends and family to cancer.”But when he was commissioned to write a poem to mark World Cancer Day, he was forced to confront the realities of the disease. “I think I saw part of my task as being slightly demystifying and maybe de-mythologising or de-demonising cancer a little bit to myself,” Armitage said

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Pressure grows on ministers to end secrecy over UK medicines deal with Trump

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Government row breaks out over plan to cut spending for PE in England’s schools

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George Harrison’s old house has an interesting backstory | Letters

Peter Bradshaw missed out an important cultural feature of Letchmore Heath (‘The Village of the Damned was shot here – then George Harrison bought a house’: our UK town of culture nominations, 23 January). Before Piggott’s Manor was sold to George Harrison, it was the preliminary training school of St Bartholomew’s hospital in Smithfield, London, where 18-year-old would-be nurses spent three months before being let loose on real patients – learning how to bandage, give bed baths and change bed sheets with the “patient” still in it (practising on each other), give injections (into oranges), present food in an appetising way and – most importantly – to clean.Following this three-month period, we spent the next two-and-three-quarter years on the wards (as a form of apprenticeship) doing actual nursing work of greater complexity and responsibility. A far cry from the major cultural shift of today’s nurse training spent in universities and on placements.Dr Liz Rolls-FirthCheltenham, Gloucestershire