AI, Salman Rushdie and Elon Musk: the most anticipated documentaries of 2026

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The landscape for nonfiction cinema is swift, fragile and constantly in flux in these absurd times; films we discuss now may not be released, and films we discuss a year from now may not even be the germ of an idea yet.But between the usual stable of celebrity retrospectives, music documentaries and the ongoing work to record the atrocities in Gaza, the documentary slate for 2026 already seems both full and promising.From the assassination attempt on Salman Rushdie to AI, a Billie Jean King retrospective to Elon Musk, here are 10 of the most hotly anticipated documentaries in 2026.In recent years, the Sundance film festival has become the premier destination for buzzy and/or prestige documentaries – three of the last five Oscar wins have gone to films that premiered in Utah, and the festival is now routinely alight with major celebrity retrospectives.Potentially combining both at the festival this year is Knife: The Attempted Murder of Salman Rushdie, film-maker Alex Gibney’s nonfiction adaptation of the writer’s bestselling memoir, which detailed the 2022 onstage assassination attempt that cost him his vision in one eye.

The film reportedly combines never-before-seen footage of the Indian-born, British-raised writer’s recovery, filmed by his wife (of 11 months, at the time) Rachel Eliza Griffiths, as well as interviews and excerpts from his work, including the fatwa for his death issued by Iran’s Ayatollah Khomeini in 1989.Speaking of Gibney, we’re still waiting for the prolific documentarian’s take on Elon Musk, which has been in production on and off for years.(Presumably the first half of last year, when the tech billionaire-turned-unelected White House CEO torched the federal government via his meme-coined “Department of Government Efficiency”, was an on period.) Gibney, who has directed critical evaluations of the Church of Scientology, Elizabeth Holmes and Enron, among others, is no stranger to shifty, complex characters; his Musk film promises to provide a “definitive and unvarnished examination” of the erratic entrepreneur, with participation of those formerly in his orbit (though, somewhat contentiously, not Musk himself).The last public update on the project was in August 2025, when Bleecker Street acquired the rights for a theatrical release in the US at a still-unannounced date.

Any fan of HBO’s How To With John Wilson – which is, for my money, the single best TV show made about New York this decade – will know that the following sentence is a perfect logline: “After attending a workshop on how to write and sell a Hallmark movie, film-maker John Wilson tries to use the same formula to sell a documentary about concrete.” The droll documentarian’s idiosyncratic style, sly observational humor and frankly genius eye for the gritty magic in urban life have made meditations on scaffolding, waste collection and wine stores into must-see television; his feature-length documentary debut on the history of concrete is thus one of the must-see premieres at Sundance later this month.The Wicked press tour may finally be winding down, but there’s still no escaping Oz in 2026.After the runaway success of the two-part film adaptation of the Broadway musical, a new documentary will go behind the scenes of the movie that inspired it all.Oz, produced by Leonardo DiCaprio and Danny Strong, among others, will revisit the production of the 1939 classic, which, according to the film’s logline, “tested the limits of its creators”, including director Victor Fleming and star Judy Garland.

Though Oz will, of course, feature plenty of archival footage from the groundbreaking production process, this will be no plain history doc; re-enactment filming (of whom? For what?) reportedly took place last year, just after a new digitized version of the original played at the Sphere in Las Vegas,Coming in hot for the “most unlikely duo” award is James Cameron, master of the cinematic epic, and gen Z icon Billie Eilish,Why did the famed director take a break from the slow-rolling world of Avatar to film the singer’s Hit Me Hard and Soft concert tour? The answer, it seems, was the chance to use fancy cameras – “no one’s shot a concert film on this scale before … We’re using tech that’s never been used before”, says Cameron in the recently released trailer for the 3D theatrical event billed as “an innovative new concert experience” starting 20 March,Jury is still out on how “innovative” the 3D feels … but based on the trailer, I will happily watch many minutes of Cameron and Eilish, two massive stars of very different solar systems, attempt to work together,Daniel Roher, director of the Oscar-winning film Navalny, on the late Russian opposition leader, puts himself at the center of his next film, which enters the vast cinematic minefield known as artificial intelligence.

Conveniently called The AI Doc (subtitle: Or How I Became an Apocaloptimist), the film, which premieres at Sundance with a theatrical release to follow in March, assumes Roher’s perspective as he explores “the existential dangers and stunning promise of this technology that humanity has created” while on the cusp of becoming a father.Co-directed by Charlie Tyrell and produced by Everything Everywhere All At Once co-director Daniel Kwan, The AI Doc will attempt to thread a fine needle, spending time with experts on both sides of the doom/promise spectrum.One evening in 1972, the genre-defying film-maker William Greaves convened a dinner party at Duke Ellington’s New York townhouse.The guests were the remaining luminaries of the Harlem Renaissance: influential Black artists, musicians, librarians, poets, actors, teachers and critics whose work shaped the jazz age; the occasion was posterity, as Greaves recorded more than three hours of conviviality and conversation among old friends, many of whom had not seen each other in 50 years.The cinema verité footage, newly restored and arranged by Greaves’s son David, who was a camera operator that day, promises a fly-on-the-wall portal into one of the 20th century’s most significant and vital cultural movements.

Few female athletes have been as trailblazing or as influential as Billie Jean King,Give Me the Ball!, which will premiere at Sundance, finally gives the tennis legend and queer icon her flowers, through archival materials and exclusive interviews,Directed by Liz Garbus and Elizabeth Wolff, the retrospective will delve into King’s battles on the court, including her infamous Battle of the Sexes with Bobby Riggs, and off it, as she fought for women’s equity in sports, as well as women’s and LGBTQ+ rights at large,In the past few years, the Roots member Amir “Questlove” Thompson has established himself as a vital, virtuoso director of music documentaries and a custodian of Black cultural history,His mesmeric debut film The Summer of Soul, which vibrantly retold the story of the 1969 Harlem cultural festival (AKA the Black Woodstock), won the Oscar in 2022; last year’s Sly Lives! AKA The Burden of Black Genius, brilliantly examined both the life of the trailblazing musician Sly Stone and the specific difficulties faced by Black artists.

He returns this year with a still-untitled film on Earth, Wind & Fire, the genre-bending Chicago group founded in 1969 by Maurice White.Questlove reportedly gained access to the band’s video and recording archive, and has made the celebratory doc, which will premiere on HBO later this year, with the support of the band and White’s estate.The past year has seen a plethora of excellent nonfiction films on Gaza and the larger fight for Palestinian freedom – among them, Oscar winner No Other Land, The Encampments, Coexistence, My Ass! and Put Your Soul on Your Hand and Walk.American Doctor, which documents three American physicians – Palestinian, Jewish and Zoroastrian – called to Gaza by a moral obligation to help those suffering, promises to be a similarly gut-wrenching watch.Following the doctors’ triage units in the wake of devastating attacks, the film offers a necessary reminder of the US’s role in the decimation of Gaza – and, according to the official description, a “path forward to engage on such a difficult issue with humanity and collective action”.

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How to turn excess hard veg into fridge-raid sauerkraut – recipe | Waste not

The dry-salting fermentation method used to make sauerkraut works brilliantly on almost any firm vegetable, so you can happily explore beyond the traditional cabbage. I had a couple of carrots and a piece of squash that needed saving, so I turned them into a golden kraut with ginger, turmeric and a little orange zest for brightness. Use whatever you have to hand and let the ingredients lead your creativity.Fermenting is an enjoyable way to make the most of a seasonal ingredient or to use up surplus produce. At our restaurant, whenever we had a glut that needed using up, we used to rely on fermentation, because not only did it saves us money in the long term, it also helped us to create imaginative, delicious new products to cook with

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Hurrah for veganism and Victorian sewers | Letters

As a vegan of nearly 40 years, I agree with much of what Dean Weston says about animal welfare (Letters, 30 December). But as a former civil engineer, I cannot overlook the massive category mistakes in his assertion that the government’s animal welfare strategy “treats animal suffering the way Victorian engineers treated cholera. Add a valve here, a filter there, and never question the sewer itself.”Victorian engineers did not “treat” cholera, but were arguably more effective than the medical profession in dealing with the disease. They reduced the prevalence of cholera precisely by constructing adequate sanitation

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What can I use in vegetarian curries instead of coconut milk? | Kitchen aide

I want to make more vegetarian curries, but most call for a tin of coconut milk and I’m trying to cut down on saturated fats. What can I use instead? Jill, via emailCoconut milk brings silkiness and sweet richness to curries, and also mellows spices, so any substitute will likely change the nature of the dish. That said, if you really want to avoid the white stuff, Karan Gokani, author of Indian 101, would simply replace it with vegetable stock. Another easy swap (if you’re not averse to dairy) is yoghurt, says John Chantarasak, chef and co-owner of AngloThai in London, which is handy, because “that’s normally hanging about in the fridge”.Not all curries involve coconut milk, however, and it’s these that perhaps offer a better solution to Jill’s conundrum

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Kenji Morimoto’s recipe for root vegetable rösti with crisp chickpeas

I’m a sucker for a rösti, and I truly believe it makes the best breakfast, brunch – or any meal, really. This one leans into the amazing varieties of root vegetables we have at our disposal, and it is especially stunning when layered and presented with all of the other elements: a bold mustard aïoli, crisp curried chickpeas, and an easy parsley and red onion salad that is quick-pickled to provide an acidic finish to a satisfying dish.These rösti are easy to customise (although I’d suggest going for a combination of at least two root vegetables); they freeze well, too, making those lazy weekend brunches that much easier.Prep 30 min Cook 30 min Serves 2-4For the chickpeas400g tin chickpeas, drained 2 tbsp olive oil ½ tsp salt 1 tsp curry powder 1 tsp smoked paprikaFor the salad80g red onion, peeled and thinly sliced 10g parsley leaves Zest of 1 lemon, plus juice of ½ 1 tsp sumac 1 pinch saltFor the mustard aïoli 100g mayonnaise 1 tbsp English mustard Juice of ½ lemonFor the rösti300g root vegetables (such as beetroot, sweet potato, parsnip), peeled and grated80g red onion, peeled and thinly sliced 2 tbsp plain flour 1 egg Neutral oil, for cookingHeat the oven to 200C (180C fan)/390F/gas 6 and line a baking sheet with baking paper. Pat the drained chickpeas dry with kitchen towel, then tip them on to the lined sheet

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Adults in England eating as much salt a day as in 22 bags of crisps, study shows

Adults in England eat the same amount of salt every week as is found in 155 bags of crisps, according to analysis by a leading health charity.The British Heart Foundation, which carried out the study, said this also equated to 22 bags a day of ready salted, lightly salted or sea salt crisps.“Most of the salt we eat is hidden in the food we buy, such as bread, cereals, pre-made sauces and ready meals, so it’s hard to know how much salt we’re consuming,” said Dell Stanford, a senior BHF dietitian.“This is bad news for our heart health, as eating too much salt significantly increases the risk of high blood pressure, a major cause of heart attacks, strokes and other serious diseases.”It is estimated that eating dangerously high amounts of salt contributes to at least 5,000 deaths a year in the UK from heart attacks, strokes and other cardiovascular conditions

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Rukmini Iyer’s quick and easy recipe for roast sweet potato, feta and butter bean traybake | Quick and easy

A brilliant, warming 30-minute traybake, all in one tin. I love the combination of roast sweet potatoes with crumbled feta and a bright, fresh pesto; adding butter beans to the mix brings another hit of protein, as well as getting more legumes into your diet – win-win! A jar or tin of chickpeas would work just as well, if that’s what you have in, and feel free to substitute the parsley for other soft herbs, should you wish.Prep 15 min Cook 30 min Serves 22 large sweet potatoes, scrubbed or peeled (up to you) and cut into 1½cm chunks570g jar butter beans (or 400g tin butter beans), drained and rinsed2 tbsp olive oil 2 tsp smoked paprika2 tsp flaky sea salt 200g block feta, crumbledFor the spring onion pesto 25g flat-leaf parsley, leaves and tender stems3 spring onions, trimmed and roughly chopped50g almonds, or pine nuts 50ml extra-virgin olive oilJuice of ½ lemonHeat the oven to 200C (180C fan)/390F/gas 6. Tip the sweet potato chunks, butter beans, olive oil, smoked paprika and a teaspoon of sea salt into a roasting tin or tray large enough to hold everything in almost one layer, mix well, then roast for 30 minutes.Meanwhile, blitz the parsley, spring onions, nuts, olive oil, lemon juice and half a teaspoon of salt in a high-speed blender or chopper