Oil price expected to surge after Iran strikes and strait of Hormuz closure


Seth Meyers on Team Trump’s Iran threats: ‘These guys speak like they’ve been hit on the head’
On Thursday night, late-night hosts remarked on the Jeffrey Epstein investigations, the threat of a US attack on Iran and Donald Trump nominating a wellness influencer as the next US surgeon general.Meyers focused on the president’s criticisms of a landmark 2015 deal between Iran and world powers in which the country agreed to curb their nuclear program. “I’ve been making lots of wonderful deals, great deals,” Trump said. “That’s what I do. Never in my life have I seen any transaction so incompetently negotiated as our deal with Iran

‘You’re sweet – and I’m old!’: Billy Porter and Sam Morrison on teaming up for a comedy about love and death
The Emmy-winning singer and actor was so struck by the standup’s autobiographical one-man show Sugar Daddy that he signed on as producer. The pair discuss ‘bears’, blood sugar and bridging the divides between generations of gay menSugar Daddy is a one-man show about “love, grief and insulin” by the 31-year-old standup Sam Morrison. An autobiographical monologue that turns tragedy into comedy, it tells of how Morrison fell in love with Jonathan, who was 24 years his senior, after meeting him at a gay bear festival in Provincetown, Massachusetts. In 2021, two and a half years into their relationship, Jonathan died from Covid.For the last four years, Morrison has been performing Sugar Daddy around the world; next month he brings an updated version to London’s West End

‘Seems I’m not dead’: Magda Szubanski says she is in remission after treatment for stage four cancer
Magda Szubanski has revealed the “fantastic news” she has finished chemotherapy and is in remission from a rare, aggressive cancer she was diagnosed with nine months ago.Wishing her fans a “Happy Mardi Gras” in a video on Instagram on Friday, Szubanski said: “I wanted to share the fantastic news, which is that I’ve completed chemo, and I am now in remission. So phew, big relief.“It’s not a cure, but because I’ve got a good remission, that hopefully means that I will … keep the cancer at bay for a good long time.”In May the 64-year-old actor and comedian said she had stage four mantle cell lymphoma, an uncommon and aggressive form of non-Hodgkin lymphoma and said she had shaved her head ahead of treatment

‘The sky’s the limit’: Newcastle Art Gallery unveils its ‘divisive’ $48m expansion with a blockbuster opening show
On Friday night, the Newcastle Art Gallery (NAG) is throwing open its doors and filling the road and park with giant fluffy doughnuts, live music, dancing and art in a free-for-all street party – themed “industrial disco” – that has been 16 years in the making.For the NAG team, and Novocastrians more broadly, this is a significant moment, marking the long-awaited completion of the $48m gallery expansion project, which went from being “very divisive” in the community to something that’s generating “a remarkable buzz and excitement,” according to Jeremy Bath, the CEO of Newcastle city council.Now the largest public gallery in NSW outside of Sydney, it opens with the major exhibition Iconic Loved Unexpected, displaying 500 artworks from its 7,000-strong collection. Displayed over the 13 gallery spaces (eight of which are new, in a floor space that’s more than double that of the 1997 building), it’s a star-studded showcase of the gallery’s $145m collection, including Australian greats Emily Kam Kngwarray, John Olsen, Margaret Preston, Brett Whiteley, Daniel Boyd and Margaret Olley.It’s the headliners who will draw the crowds, but the gallery – led by the NAG director, Lauretta Morton – has been intentional in championing lesser-known local artists, too

Dead-end boys and West End girls: Lily Allen’s greatest songs – ranked!
Ahead of her UK tour and her three nominations at this weekend’s Brit awards, we appraise Allen’s sharp, candid songcraftThe final track of West End Girl is as close as the album’s break-up saga comes to conciliation, which isn’t terribly close (there’s a glancing lyrical reference to fault on both sides). But in its dreamy trip-hoppy backing and the sweetness of its melody lurks something else: a sense of closure.“I ripped off the chorus … and can’t be bothered with the paperwork,” shrugged Allen of Who’d Have Known’s distinct similarity to Take That’s Shine. They let her use it anyway, and understandably so: Who’d Have Known is an entirely lovely drawing of a relationship in its early stages, that seems to gently glow with possibilities.A genuinely great song from Allen’s flawed third album Sheezus, Our Time neatly captures a sense of here-comes-the-weekend anticipation

Sport for young people wins sustained investment – why not the arts? | Letter
Your article (‘A safe space to come and just be’: the longed-for radical utopian return of Britain’s youth clubs, 19 February) powerfully captures what is at stake in the slow erosion – and urgent renewal – of youth provision across the country.Against that backdrop, the launch of the Young Creatives Commission could not be more timely. For too long, access to arts and culture has been shaped by postcode and privilege. Creative subjects have been progressively squeezed out of state schools, while youth clubs, local theatres and grassroots arts organisations have weathered years of funding cuts. The consequences are stark: millions of young people, particularly those from working-class and underrepresented backgrounds, are excluded from opportunities that build confidence, support wellbeing and develop employable skills

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