Iga Swiatek finds her flawless best to dismantle Naomi Osaka at Italian Open

A picture


Iga Swiatek produced a statement victory in a battle between two of the game’s best, mercilessly dismantling Naomi Osaka 6-2, 6-1 to return to the quarter-finals of the Italian Open.This was the type of confidence-building performance Swiatek, the fourth seed, has been seeking for some time.After a tense opening four games, the four-time French Open champion put together a near flawless match, winning 10 of the last 11 games.Swiatek found a sweet balance between stifling Osaka with her heavy topspin and offensive weaponry while also drawing errors from her adversary with her tireless consistency.In a match that pitted the six-time grand slam champion Swiatek versus the four-time major champion Osaka, this was by far the most eye-catching meeting of the tournament so far.

Considering the level Osaka displayed in her performance against the 19th seed Diana Shnaider in the previous round and, in their instant classic French Open second-round match two years ago, which Swiatek won after facing match point, Osaka entered BNP Paribas Arena with reason to believe that she could at least make Swiatek uncomfortable.However, a near-perfect serving day was required from Osaka just to stand a chance.Her poor serving performance from the beginning set the tone for a quick, painful evening.In cold, heavy and slow night time conditions, her attempts to play fast-paced first-strike tennis quickly came undone against one of the best defensive players on the tour as errors piled up.The past few months have been a steep learning curve for Swiatek, her poor results leading to a split with her coach, Wim Fissette, in favour of hiring Francisco Roig in March.

After some time spent training at the Rafa Nadal Academy, including a couple of training sessions with Nadal himself, their first big tournament together at the Madrid Open two weeks ago ended prematurely as Swiatek was forced to retire from her third-round match against Ann Li due to illness.Swiatek is a three-time champion in Rome, her most successful event outside of Roland Garros, and in these familiar stadiums she took a significant step towards regaining her top form.Swiatek will next face the in-form fifth seed Jessica Pegula.However, it is fair to say that the partnership between Swiatek and Roig started on the wrong foot.A few days before the tournament, Swiatek was training on the tournament’s clay court built inside Piazza del Popolo, a famous square in Rome, when Roig tore his achilles during a volley game they were playing.

“We made a bet for €100,” said Swiatek.I thought I was going to lose, honestly, because he plays the volley so great.I was like: ‘Maybe let’s play only the singles court.’ It’s half-court basically.[But then] ‘Let’s play doubles.

I want to win, I’ll make you move a little bit.’ I had 5-4 and the match point already.He did a split step and tore his achilles.”Roig was rushed to Warsaw with Swiatek’s psychologist, Daria Abramowicz, where he underwent surgery.Within days, he was back in Rome with the Swiatek team while navigating the vast tournament grounds on crutches.

“Yeah, I broke my coach’s achilles …” Swiatek said meekly,Elsewhere, Jannik Sinner continued to bulldoze all opponents in his path as he secured a 30th consecutive Masters 1000 win by beating Australia’s Alexei Popyrin 6-2, 6-0 to ease into the fourth round,Sinner, a finalist in Rome last year, is attempting to win a record-extending sixth consecutive Masters 1000 title,He will next face his fellow countryman, Andrea Pellegrino,Things were far less straightforward for Coco Gauff, the third seed and last year’s finalist, who saved a match point against the 16th-seeded American Iva Jovic while trailing 5-7, 3-5 before recovering to reach the quarter-final with a gritty 5-7, 7-5, 6-2 win.

Gauff disclosed earlier in the tournament that she has been dealing with some personal issues away, which has at times made it challenging for her to find sufficient motivation on the court, but she continues to fight through.“I wasn’t really proud of the way I showed up in my last match,” said Gauff.“Today I was like, I’m not going to be like that.I thought I did a good job.Obviously, there’s moments I did get negative.

I’m not perfect,“I’m a work in progress,Today for the most part I was really mentally sound,I think that’s something to be proud of and be able to try to remember the next time I’m in a moment like that,”
cultureSee all
A picture

Royal Opera House calls for release of Georgian bass singer jailed over democracy protests

The Royal Opera House in London has urged Keir Starmer to intervene in the case of Paata Burchuladze, a world-renowned bass singer who has been imprisoned in Georgia since October on a charge of leading a coup against the country’s authoritarian leader.The 71-year-old has performed at the Royal Opera House and the Metropolitan Opera House in New York and collaborated with the likes of Luciano Pavarotti, Plácido Domingo and José Carreras. He was arrested after joining a protest outside the presidential palace in the Georgian capital, Tbilisi. Last week he was given a seven-year jail sentence which Burchuladze suggested to the court was equivalent to a life sentence given his age.Burchuladze became a rallying figure at nightly demonstrations against the government’s perceived pivot away from the west last autumn

A picture

‘Using his Terminator voice, Arnie said: “Your song. Give it to me. Now”’: Bad to the Bone’s creation – and aftermath

Before Bad to the Bone, we just played obscure blues songs from the archives. But when we toured with the Rolling Stones, I noticed the reaction to their Start Me Up. I said: “Man, we’d better hurry up and write an original song with a catchy intro or, five years from now, people will go, ‘Oh yeah, George Thorogood – wasn’t he good at playing Chuck Berry or something?’”Bad to the Bone is a male fantasy. Let’s face it: every guy wants to be bad. We were raised on Hollywood movies and all those tough guys, like Bernardo from West Side Story, or Howlin’ Wolf – we opened for him in 1974 and he had a ferocious reputation

A picture

What is a ‘Scientology speedrun’ and why is social media suddenly obsessed with it?

Ima, if someone said “Scientology speedrun” to me I would think about Tom Cruise in tight shorts. But that is not what is happening, is it?Not quite, Cait. The Scientology speedrun appears to have spawned in March when content creator Swhileyy filmed himself rushing the Church of Scientology on Hollywood Boulevard in Los Angeles. That video gained 90m views before it was deleted.Since then, groups of mostly young men have documented themselves charging into the LA centre, pulling in millions of views on TikTok

A picture

Joseph Fiennes on parenting, politics and banning children from social media: ‘Stand up, Keir, this is your kids’ generation’

He’s played English titans from William Shakespeare to Gareth Southgate, but what does the actor really think about the country today?The Guardian’s journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more.We are at a corner table in a breakfast place in Chelsea, Joseph Fiennes opposite me on the banquette with his jack russell, Noa. “Dog duty,” he says, apologetic

A picture

The Guide #242: Everyday Hollywood film comedies have faded but can they make a comeback?

There was a striking moment during this week’s episode of The Rewatchables, the wildly popular film-recap podcast that I reach for when I’ve had my fill of history/football/glum current affairs pods. The episode was revisiting 90s comedy There’s Something About Mary, a film that in some ways holds up hilariously, and in others has aged about as well as a bottle of semi-skimmed on a summer’s day in Death Valley. As part of the episode, the podcast’s panel were going through their favourite comedy films by decade and were spoilt for choice – until, that is, they reached the 2020s, when they seemed to collectively draw a blank. “The Drama’s pretty funny …” one offered tentatively. Finally, host Bill Simmons cut through the umming, ahhing and awkward silence to get to the heart of the matter: “Do we have comedies any more? What happened to comedies?”Yes, what did happen to comedies? Or rather, what happened to the “everyday” American comedies like There’s Something About Mary that once set up a permanent frat house residence in cinemas? You know the ones I mean: those that took a familiar real-world situation – teens trying to lose their virginity, a man clashing with his girlfriend’s dad, a maid of honour struggling to arrange a hen do, stunted adolescents refusing to fly the nest – and stretched them to absurd and lurid extremes

A picture

Ah, ah, ah, ah - I saved my dad’s life with a little help from The Office and the Bee Gees

When my father collapsed suddenly, an episode of the US comedy in which Steve Carell does CPR to the tune of Stayin’ Alive sprung miraculously to mindIt was a boiling hot day last summer, four days after my dad’s 73rd birthday. Mum was plating up dinner and Dad was on the sofa complaining about how stifling it was. I was meant to head to work, for my job as a personal trainer, but decided to take the evening off. It was just as well: as I turned back to Mum, Dad collapsed backwards and suffered a massive cardiac arrest.Mum was hysterical