Archer and Bumrah make batters sweat as England and India toil on day two at Lord’s

A picture


The over rate was pathetic and the heat oppressive yet every spectator in Lord’s was transfixed.Nothing stirs the senses quite like high-quality pace bowling and so it proved here, be it the latest five-wicket display of Jasprit Bumrah’s mastery in the morning or Jofra Archer striking third ball on his comeback.Archer first, and a moment that will live long in the memory for both the player and his supporters in the stands.As India closed on 145 for three in reply to 387 all out, his figures read a tidy one for 22 from 10 overs.And yet the numbers told only part of the story, with that solitary wicket, one that stopped everyone in their tracks and triggered an eruption of noise around NW8, unquestionably the moment of the day.

Context is everything, with Archer’s pristine removal of the dangerous Yashasvi Jaiswal – a ball that nipped, squared up the left-hander, and flew to second slip – delivered after a four-year battle with injuries.Other fast bowlers might have opted for white-ball specialism but Archer, now 30, never gave up on his Test dream.Mobbed by teammates on the ground that witnessed his electric debut six years ago, those long dark days of rehab proved to be worth it.Granted, the speeds that saw 93mph breached during his initial new ball burst tailed off.But with his skills undimmed and his bouncer still menacing, this was a promising return.

As for the Test match as a whole – pivotal as it is at one-all in the series – it was hard not to view England as the team in the ascendancy.KL Rahul walked off at the close unbeaten on 53, with the injured Rishabh Pant on 19 not out.But having lost two more wickets on this attritional surface, and one of them being the form-rich Shubman Gill, India were the side in need of a fightback.Perhaps the wonderfully organised Rahul can deliver an innings to match that of Root, who turned his overnight 99 into 104 and followed it with a spectacular one-handed slip catch to remove Karun Nair for 40.As well as easing concerns about Ben Stokes after a groin niggle on day one, this breakthrough from England’s captain had given Root his 211th outfield catch, breaking the record held by Rahul Dravid.

Just as jaw-dropping was the removal of Gill for 16,Archer had been drafted in to solve the puzzle Gill has presented England this series,And yet the solution, it turned out, was Chris Woakes bowling wicket-to-wicket with an umbrella field and the wicketkeeper standing up,On a tough day for the 36-year-old at his favourite ground, this feathered edge held by Jamie Smith felt like an oasis in the desert,And Bumrah? When he sat out the win at Edgbaston – despite a week to recover from the strains of defeat at Headingley – it was hard not to conclude that the lure of Lord’s and its honours boards was a contributing factor.

Every venue has them and yet the combination of gold leaf and mahogany in St John’s Wood is somehow different to the rest and sits on the bucket list of any cricketer worth their salt.Just ask Root.Even with his name on the honours board seven times previously, England’s master batter still made a point of telling the signwriters to get to work after he slashed the first ball of the day for four and celebrated three-figures for the 37th time.Like his class with the bat, the buzz of getting on there clearly endures.Bumrah played it cooler when bowling Archer to complete his 15th Test five-wicket haul but his first at Lord’s.

Teammates were practically imploring him to raise the ball to all corners of the ground – the tradition first started by Glenn McGrath – and eventually he relented.Inside, one suspects, he was bursting with pride.Sign up to The SpinSubscribe to our cricket newsletter for our writers' thoughts on the biggest stories and a review of the week’s actionafter newsletter promotionThis performance was certainly worthy of it, Bumrah following his removal of Harry Brook on day one by dominating the morning.And like that dismissal of Brook, it was the ball that nipped in which did the damage as Stokes, 44, and Root both had their stumps rearranged.When Bumrah nicked off Woakes first ball, England were suddenly 271 for seven and in danger of squandering Root’s diligent spade work.

And yet the darndest thing then happened.A Dukes ball that was just 10.3 overs old and had been doing plenty for India’s spearhead was swapped by the umpires, with batting soon becoming less of a chore.And after a life on five when dropped by Rahul in the slips, Smith set off on a little gem of a counterattack that, with Brydon Carse offering support at the other end, put on 84 runs for the eighth wicket.Smith fell in the first over after lunch for 51 – Mohammed Siraj, earlier denied by Rahul’s drop, finally getting his man – but Carse ploughed on to make 56 from 83 balls.

The single that Carse took to expose Archer to Bumrah was not the smartest bit of cricket but after the No 9 hit six fours and a glorious straight six to bring up his maiden Test half-century, England’s total looked far cleverer by its conclusion.Indeed, only once in history has a team scored more first innings runs at Lord’s and gone on to lose a Test match, with England suffering this fate during the 1930 Ashes after making 425 all out.Australia had a player called Don Bradman to thank for that turnaround but India’s modern day equivalent, Gill, is back in the pavilion.
cultureSee all
A picture

Notting Hill carnival to go ahead this year after £1m funding boost

Cash will pay for extra measures to address ‘critical public safety concerns’ identified in independent review of festival Notting Hill carnival will go ahead this year after almost £1m of funding was raised to provide extra safety and infrastructure measures.City Hall, Kensington and Chelsea council and Westminster city council together provided £958,000 for the event following pleas from organisers for support, after a review recommended several changes to make the event safe.The chair of Notting Hill Carnival Ltd, Ian Comfort, who had appealed to the culture secretary, Lisa Nandy, for additional support, said the event’s future was secured just in time.The event always takes place over the August bank holiday weekend – which this year runs from Saturday 23 August to Monday 25 August.“Although this support comes just weeks before the event, it is a much-needed and welcome commitment,” Comfort said

A picture

Jon Stewart on Trump’s sweeping bill: ‘What is Ice going to do when they have real money?’

Late-night hosts delve into Donald Trump’s “big, beautiful bill” and consider his UFC proposal for next Independence Day.Jon Stewart returned to The Daily Show following the Fourth of July holiday in the US, during which Congress and Trump passed the so-called “One Big Beautiful Bill Act”. The legislation will, among other things, cut $930bn from the Medicaid budget, thus putting 11 million at risk of losing their health insurance, end Biden-era green energy credits and cut funding for 3 million kids’ school lunches.“It’s a lot of painful cuts on a lot of vulnerable populations,” Stewart summarized on Monday’s Daily Show. “But, to be fair, at least America will finally make a dent on the deficit

A picture

Is Possession about a harrowing divorce or a woman with an octopus kink? Why not both?

Andrzej Żuławski’s Possession is genuinely unhinged and utterly unforgettable. Żuławski called it “a very true-to-life autobiographical story”, which it is: when he made it in 1981, his own marriage had just collapsed, and as portraits of divorce go, Possession is a pretty spectacular one. But Żuławski also once described Possession as a film about a woman who “fucks with an octopus”, which it is too.A co-production between France and West Germany that was shot in West Berlin by a Polish director, Possession opens as Mark (Sam Neill), a spy, returns home and finds that his wife, Anna (Isabelle Adjani), wants a divorce. She’s having an affair, she reveals, ostensibly with Heinrich (Heinz Bennent) – exactly the kind of lofty weirdo you’d hate your wife to dump you for

A picture

Bayeux tapestry to return to Britain for first time in 900 years

The Bayeux tapestry will return to the UK for the first time in more than 900 years as part of a landmark loan agreement by Keir Starmer and Emmanuel Macron.The 70-metre embroidered cloth depicts the 1066 Norman invasion and Battle of Hastings, in which William the Conquerer took the English throne from Harold Godwinson and become the first Norman king of England.It will go on display at the British Museum from September next year, in exchange for the Anglo-Saxon treasures of the Sutton Hoo ship burial, the Lewis chessmen and other treasures.The loan is to be officially announced during the French president’s state visit on Wednesday at the British Museum, which has been closed to the public for the day. A blockbuster exhibition offering the chance to see the tapestry up close for the first time on UK soil since its creation is also expected to boost London’s visitor economy

A picture

The Guide #198: Finally, Superman meets his match

As comic book movies go, the Superman reboot is a biggie. It’s the first film from DC Studios, created by Warner Bros in 2022 in an attempt finally to rival Marvel. And it marks the start of the newly rebooted DC Universe, which has seen studio heads James Gunn and Peter Safran merrily culling storylines, cancelling projects, and recasting characters (to much online frothing).So why am I struggling to care? Is it the Russian-doll rebooting? Is it franchise fatigue? No, it’s Superman! The dullest hero of them all! Too good to be interesting, too strong to be truly fallible and definitely too Boy Scouty to be funny, I’ve always found him a less exciting prospect than other supers.But Gunn, who wrote and directed the film, seems to have a plan to make Superman less of a snooze

A picture

‘The army were on the streets – and we were bored’: Stiff Little Fingers on making Alternative Ulster

‘There wasn’t time to sit down and discuss politics and the future of the world, or your aims and aspirations. You just did stuff’I was approached by Gavin Martin, who ran a fanzine called Alternative Ulster. He wanted to put a flexi-disc on the cover and said: “Can we use Suspect Device?” That was going to be Still Little Fingers’ debut single so I told him he couldn’t have that, but I would write him a song.It’s the old adage – write about what you know. The opening line is: “There’s nothin’ for us in Belfast