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Fearless Robin Smith and his square cuts gave hope to England in grim era | Tanya Aldred

about 16 hours ago
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A Robin Smith square cut was more than a whip‑crack snap of the bat.For English cricket fans of the late 80s and early 90s, it was a nudge in the ribs that, underneath the pastings, the dismal collapses and Rentaghost selections, the national team would fight another day.Smith’s cut, alongside a David Gower cover drive, gave hope where there was little left in the bucket.Those famous forearms – half oak, half baobab – the white shirt unbuttoned past the clavicle, the chain glinting through his chest hair, smelt enticingly like bravery, and old spice and one last throw of the dice.The sight of Smith marching out to bat – as an opener (in four Tests), No 3 (six), No 4 (30), No 5 (19), No 6 (14) or No 7 (twice) – those charmingly indecisive selectors never could quite place him – was a high point in a largely post-Botham era, a clear-the-bars alarm for those in the ground and a stay‑your‑ground sign to those on the sofa.

Like fellow South Africans Tony Greig and Allan Lamb before him and Kevin Pietersen after him, Smith was bigger and better and more sexy than his Test average – which, incidentally, was a healthy 43.67 – second only to Graham Gooch among English batters during the period of his Test career.He was utterly fearless in the face of extreme pace, beyond any expectation, as fast bowlers reared up at meeting their match and came harder.Watch the highlights of him batting against Ian Bishop at Edgbaston in 1995, just six months before he played his final Test.Bishop is relentless, skilful, brutal – and Smith, with barely a flinch, takes blows on the elbow, the shoulder, the rump, but he evades even more.

Dainty back bends, swaying leather-sniffing, dinky knee drops, all were part of his back catalogue long before yoga and pilates were the staple of a sportsman’s daily routine.Smith hit 41 in England’s second innings of 89 all out in that match – opening because Alec Stewart couldn’t bat after injuring a finger behind the stumps on a pitch that the captain Mike Atherton said later was the worst he had encountered in any Test.Atherton also told everyone that Smith’s 41 would have been worth a hundred had it been made anywhere else.Smith made his England debut in 1988, dropped into an England team in disarray during the famous summer of the four captains.Chris Cowdrey was his captain for that match – and would never play for England again.

But Smith took it all in his stride and the next year scorched two hundreds and a 96 during the 4-0 thrashing by Australia in England.Of all his nine Test centuries, two stick most memorably in the mind.His 101 in the fifth Ashes Test at Trent Bridge that dismal 1989 summer, after Australia had racked up 602 for six declared, and Smith had stormed in with the score one for two – Martyn Moxon and Atherton back in the pavilion for ducks.He ravaged the Australians, those square cuts screaming across the Nottingham grass and you can sense the joy in the crowd that someone, at last, is giving them something to cheer at, a stick of some sort to wave at the gimlet-eyed baggy greens.I don’t think that, even in this Indian Premier League era, anyone has cut the ball harder.

And his 175 against the West Indies at St Johns in April 1994 – an almost forgotten innings as it came in the same match as Brian Lara grabbed the headlines with 375.But against Curtly Ambrose, and Courtney Walsh, it was an innings of pure-gold defiance.Sign up to The SpinSubscribe to our cricket newsletter for our writers' thoughts on the biggest stories and a review of the week’s actionafter newsletter promotionMaybe England players seemed more human to us then because we could see their faces when they undertook the cruel business of batting.We could smell their fear and see the frustration in their eyes.Smith would wear a cap when he could, otherwise his helmet was without bars or visor, balanced on that famous hair, which panned behind him in a series of shampoo‑and-set waves.

In the end, it turned out that the larger-than-life cricketer and the cavalier cape didn’t match the vulnerable human underneath.His autobiography The Judge, written with Rob Smyth, revealed the loneliness and sadness behind those big-man strokes, and the bereft figure left once cricket had decided he was no longer needed.“The Judge was a fearless warrior,” he wrote.“Robin Arnold Smith was a frantic worrier.” I hope he knew how much we all loved him.

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London’s Smithfield and Billingsgate markets find new home in Docklands

A former industrial site in London’s Docklands has been named as the new home for the capital’s ancient Smithfield meat market and Billingsgate fish market, under plans unveiled by their owner.The proposal by the City of London Corporation – the governing body that runs London’s Square Mile and also operates the markets – would relocate both to Albert Island.The 10-hectare (25-acre) site, close to London City airport, is owned by the Greater London Authority (GLA) and has been earmarked for regeneration. The corporation has estimated the move would generate £750m in local expenditure and would bring 2,200 jobs to the London borough of Newham, one of the most deprived in the capital.The announcement comes just over a year after the corporation voted to permanently close Smithfield and Billingsgate when it pulled the plug on a planned £740m relocation to Dagenham, blaming rising costs

about 2 hours ago
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Thames Water half-year profit leaps to more than £400m after it raises bills by third

Thames Water has reported a leap in half-year profits to £414m after bills rose by nearly a third, even as it warned it faced huge funding uncertainties that could result in a rapid collapse into government control.Britain’s biggest water company on Wednesday said it had swung into profit for the six months to September, after losing £149m in the same period in 2024.Revenues jumped by 40% to nearly £2bn after the company was allowed to raise customers’ bills by 31% in April. Thames Water insisted it was making good operational progress, helped by a 22% increase in investment to £1.26bn, paid for by the bills increases

about 3 hours ago
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Australia’s eSafety commissioner rejects US Republican’s assertion she is a ‘zealot for global takedowns’

Australia’s online safety regulator has rejected assertions from a key US Republican congressman that she is a “zealot for global takedowns”, as the eSafety commissioner faced questions from the Australian parliament on a Guardian investigation into Roblox.Julie Inman Grant was asked by US Republican chair of the House judiciary committee, Jim Jordan, to speak before the committee last month.The committee produced a report in June arguing the Global Alliance for Responsible Media (Garm), which was shut down in August 2024, had colluded with advertisers and foreign regulators. The committee alleged the group colluded to make demands on then-Twitter about what content it should moderate on its platform.The committee had turned its attention to Inman Grant, after emails from her to the organisation showed the commissioner saying Garm was “helping to hold the platforms to account”

about 14 hours ago
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Sam Altman issues ‘code red’ at OpenAI as ChatGPT contends with rivals

Sam Altman has declared a “code red” at OpenAI to improve ChatGPT as the chatbot faces intense competition from rivals.According to a report by tech news site the Information, the chief executive of the San Francisco-based startup told staff in an internal memo: “We are at a critical time for ChatGPT.”OpenAI has been rattled by the success of Google’s latest AI model, Gemini 3, and is devoting more internal resources to improving ChatGPT.Last month, Altman told employees that the launch of Gemini 3, which has outperformed rivals on various benchmarks, could create “temporary economic headwinds” for the company. He added: “I expect the vibes out there to be rough for a bit

about 20 hours ago
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Hosts Australia to face New Zealand in Rugby World Cup pool as England draw Wales

The host nation Australia will face their traditional rivals New Zealand at the men’s Rugby World Cup in 2027 after the draw was made in Sydney on Wednesday. The Wallabies, hosting a second men’s tournament, were guaranteed to face a top-ranked nation in Pool A due to a current world ranking of seventh, and the renewal of their fierce rivalry with the All Blacks is perhaps the most appetising possible outcome from the draw.The potential for a “Bledisloe Cup” opening match to kick off the global showpiece, on 1 October 2027 in Perth, will be a hugely attractive prospect for fans. Chile, playing at a second Rugby World Cup after their debut in France in 2023, and debutants Hong Kong are also in Pool A. England, who won the men’s tournament in Australia 22 years ago, have been pitted against their Six Nations rivals Wales, with Tonga and Zimbabwe the other sides in Pool F

about 2 hours ago
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Rugby World Cup 2027 draw: Australia and New Zealand drawn in Pool A – as it happened

Pool A New Zealand, Australia, Chile, Hong KongPool B South Africa, Italy, Georgia, RomaniaPool C Argentina, Fiji, Spain, CanadaPool D Ireland, Scotland, Uruguay, PortugalPool E France, Japan, USA, SamoaPool F England, Wales, Tonga, ZimbabweJoe Schmidt is confirming that there’ll be no ongoing role for him with Australian rugby after his contract runs its term in mid-2026 and there’ll be no fourth World Cup for him in 2027. Instead he’ll happily hand over the Wallabies to Queensland Reds boss Les Kiss, his former right-hand man during Ireland’s glory days “and we’ll be in contact anyway.”I’ll be in the stadium watching. Rugby World Cups are special. The atmosphere builds into a crescendo on match days

about 2 hours ago
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The fight to see clearly through big tech’s echo chambers

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‘The biggest decision yet’: Jared Kaplan on allowing AI to train itself

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Charlie Kirk tops Wikipedia’s list of most-read articles in 2025

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Age of the ‘scam state’: how an illicit, multibillion-dollar industry has taken root in south-east Asia

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Siri-us setback: Apple’s AI chief steps down as company lags behind rivals

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‘It’s going much too fast’: the inside story of the race to create the ultimate AI

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