The Spin | From jaffas to the corridor of uncertainty – revel in cricket’s rich language of bowling

A picture


Every act in cricket’s history has begun with a bowler delivering a ball to a batter 22 yards away.Delivering.Like a postman delivers a council tax bill.Like a waiter delivers a round of drinks.Of all the verbs used to describe the bowling of a ball, this one speaks to the deep-seated cultural inequity that has plagued this sport since its inception.

“If there was ever a word that proves we live in a batter’s world, this is it,” says Steve Harmison, the fearsome fast bowler turned commentator who delivered 16,313 balls for England across eight years.“But not every delivery is the same.Some come gift-wrapped like a present at Christmas.Some can jump up and smack you in the face.”A batter can hit the ball in any direction.

As we noted back in August, they can scoop over fine leg, scythe through point or bash it down the ground.But a bowler must effectively walk a tightrope.Anything sprayed too wide will be penalised.Anything floated too full or dragged down too short will be punished.Which is why bowlers aim for the nebulous realm of the corridor of uncertainty.

“That’s just an area where a batter isn’t sure if he can go forward or back, if he can leave or defend it away from his stumps,” explains Dale Steyn, the South Africa quick who claimed 439 Test wickets at 22.95.“Think of it like a blind spot in your car mirror, where you can’t see someone coming past you for a split second.”Most balls that land in this corridor – usually on a so-called “good” length, somewhere near a fourth-stump line – are given special names.These are nuts, seeds, peaches.

Harmison is fond of the jaffa.And while these arcing, hooping and ragging pills might turn a batter inside out, sometimes they are too good.“You feel chuffed when it happens, and it’s sort of a moral victory, but they’re meaningless,” Harmison says.“Sometimes the best wicket-taking ball is actually a pile of shit.The actual jaffa looks great, and it feels great, but if it doesn’t get a wicket it can be really frustrating.

”And this is where the language of bowling begins to reveal its cruelty.The gap between the perfect ball and a meaningless one can be no more than a couple of millimetres.Harmison remembers Stuart Broad copping criticism for an expensive spell at Trent Bridge.When he reviewed the footage he found it was almost identical to his eight-wicket haul against Australia in 2015.The only change was what happened at the far end.

“As a bowler, you have to accept that once you let go of the ball you have no control,” he says,“You can feel powerless,It can be isolating,”This is why bowling attacks must work as units, with the ruthlessness of a cartel and the coordination of a pack,“There’s nothing more satisfying for me than when a batting pair looks hunted,” Steyn says.

“That tells a full story about the bowlers and not just one lucky delivery.”Steyn and Harmison did the same thing but in very different ways.Steyn would steam through his run-up, gather in his action like a panther coiling before a pounce, then send down rockets that kissed the surface.Harmison’s larger frame would lope forward, his long limbs unravelling as he hit the deck with a heavy ball.Sorry.

A what?“It’s all about the size of the bowler,” Steyn says.“A heavy-ball bowler has more weight behind him.It’s not just about pace.Guys like Jacques Kallis and Andrew Flintoff were perfect examples.I’d kiss the surface, like skimming a tennis ball off a swimming pool.

Those other guys weren’t always the quickest, but they felt as fast as anyone when you faced them.”Sign up to The SpinSubscribe to our cricket newsletter for our writers' thoughts on the biggest stories and a review of the week’s actionafter newsletter promotionBowlers can easily fit into archetypes.The snarler.The golden arm.The one who bowls the hard overs up the hill and into the breeze.

These are the narratives we rely on, the stories bowlers tell, and the ones they tell themselves.A thick edge flies away for four, a slog sails for six and the captain at first slip will bark: “Don’t mind that.” Steyn lifts the curtain: “To be honest, the runs always irritated me.But sometimes I genuinely don’t mind it, as long as it doesn’t happen too often.”For all this necessary self-delusion, seamers are rarely granted a vocabulary of sorcery.

Why can’t they be called wizards? Steyn gives a knowing laugh.“Only wrist spinners deserve that title,” he says, despite bowling one of cricket’s most magical balls: the late swinger at Gqeberha that uprooted Michael Vaughan’s off-stump in 2004.“Fast bowlers cast different types of spells, but we’re not as mysterious as leggies.”In the end, the physical act of bowling, of delivering a ball, has always been simple.It’s the words we’ve wrapped around the act that complicate things.

Bumpers, jaffas, heavy balls, moral victories; a vocabulary always chasing a craft that can’t be pinned down.Maybe this is why, as Steyn observes, the best have stuck to a basic aim: “Ultimately, I always tried to let the ball do the talking.”This is an extract from the Guardian’s weekly cricket email, The Spin.To subscribe, just visit this page and follow the instructions.
cultureSee all
A picture

‘True activism has to cost you something’: Bridgerton’s Nicola Coughlan on politics, paparazzi and parasocial fandom

Back in 2008, when Nicola Coughlan was at drama school, a guy in her class swaggered over and, with all the brimming confidence of young men in the noughties, asked her, “Do the Irish think the English are really cool?” Coughlan, born in Galway, mimes processing the question. “Well,” she said, “it’s quite complicated. Like, there’s a lot of history there, between the two countries. Like, there’s a lot going on.”The Guardian’s journalism is independent

A picture

From Eternity to Jamiroquai: your complete entertainment guide to the week ahead

Eternity Out nowMiles Teller and Elizabeth Olsen star, along with Callum Turner, in a quirky metaphysical romantic drama from A24, in which, upon arriving in the afterlife, everyone must decide where, and with whom, they would like to spend eternity. Should Olsen’s character pick the man she settled down with (Teller) or her first love (Turner)?It Was Just an AccidentOut now This Palme d’Or-winning feature from Iranian director Jafar Panahi blends social realism with political commentary, as a man (Ebrahim Azizi) and his pregnant wife (Afsaneh Najmabadi), travelling with their young daughter (Delmaz Najafi), are involved in a minor car crash.Folktales Out now Documentary-makers Heidi Ewing and Rachel Grady (Jesus Camp) follow a group of teens as they take a gap year at a traditional folk high school in Arctic Norway, where the emphasis is less on a traditional curriculum and more on dog sledding and survival skills.Five Nights at Freddy’s 2Out now Based on the second video game in the popular series, this sequel sees Josh Hutcherson reprising his role as night guard Mike Schmidt, and Jim Henson’s Creature Shop back on puppet duty, for this horror about animatronic critters possessed from within by unquiet souls. Catherine BrayThe CharlatansO2 Academy Leeds, 6 December; touring to 12 DecemberReleased in October, the Charlatans’ 14th album We Are Love found the indie perennials continuing to push their sound via production help from Dev Hynes

A picture

The Guide #220: The best things we watched, read and listened to this year – that weren’t from 2025

We’ve just inched into December, which of course means Christmas list season. Already, five days in, plenty of publications have shared their cultural best-ofs for 2025 – you can read the Guardian’s best books and songs of the year right now, with our countdowns in TV, film and music coming very soon.Meanwhile, many of you will have been bombarded on social media by screengrabs of your colleagues/friends/enemies’ Spotify Wrapped playlists (though Mood Machine author Liz Pelly has written pretty convincingly about why you shouldn’t share yours). This year’s Wrapped includes a “listening age” feature, which uses the release dates of the music you streamed to determine how horribly out-of-date your tastes are – revealing to some users that they are, in fact, centenarians.But there is, of course, no shame in taking a break from the deluge of new releases to catch some forgotten or not-forgotten classics

A picture

A minimalist statement or just Pantonedeaf? ‘Cloud dancer’ shade of white named Pantone’s 2026 colour of the year

Hi, Emma! I’m so pumped to find out what colour 2026 is going to be. Fill me in!Brace yourself, Nick. Every year since 1999 Pantone chooses a colour for the year, a representation of the zeitgeist – from how we’re feeling to what we’re wearing, how we’re styling our homes and even our eyebrows. Last year’s was the darker shade of beige “mocha mousse”, the year before that was the soft, warm “peach fuzz”.This year’s pick is even more baffling

A picture

Jimmy Kimmel on the Trump administration: ‘They have better-quality cabinets at Ikea’

Late-night hosts tore into Donald Trump’s five-hour Truth Social posting spree and his inability to stay awake during cabinet meetings.Jimmy Kimmel wasted no time in returning to his favorite target – Donald Trump – on Tuesday evening. “I know I’ve said this before, but for real this time: he went completely off the rails last night,” the host began. “The man who is allegedly running the country banged out an onslaught of posts and reposts in a furious social media blitzkrieg that started at 7.09pm, went nonstop until almost midnight

A picture

Norman conquest coin hoard to go on show in Bath before permanent display

The coins were buried in a valley in the English West Country almost 1,000 years ago at a time of huge political and social turmoil.A millennium on, plans have been announced to bring the Chew Valley Hoard, 2,584 silver coins hidden shortly after the Norman conquest, back to the south-west of England.The feelgood story of how the coins, worth more than £4m, were found by a band of metal detectorists will be told but visitors will also be encouraged to reflect on how the world continues to be gripped by worries about conflict, the actions of the powerful and money.Sam Astill, the chief executive of South West Heritage Trust, which acquired the hoard for the nation last year, said the idea was not just about showing off the coins and telling their history.He said: “There will also be a conversation about turning points, turning points in history or in people’s lives