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iPhone Air review: Apple’s pursuit of absolute thinness

about 12 hours ago
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The iPhone Air is a technical and design marvel that asks: how much are you willing to give up for a lightweight and ultra-slender profile?The Guardian’s journalism is independent.We will earn a commission if you buy something through an affiliate link.Learn more.Beyond the obvious engineering effort that has gone into creating one of the slimmest phones ever made, the Air is a reductive exercise that boils down the iPhone into the absolute essentials in a premium body.Cut away the rear cameras, slim down the battery, remove the stereo speakers and maximise the screen, and what is left is an impressive sliver of titanium and glass.

Doing so isn’t cheap.The iPhone Air starts at £999 (€1,199/$999/A$1,799), sitting in between the standard £799 iPhone 17 and the £1,099 17 Pro models.Photos don’t do the Air justice.You know it is something special as soon as you pick it up.Its 5.

64mm-thick frame feels thinner thanks to soft edges and light weight that’s 12g less than the already quite light iPhone 17.The glass lump on the back contains most of the guts of the phone with the rest dedicated to the battery.The usual iPhone buttons line the sides including the camera control and action buttons.The earpiece speaker in the top is the only one: it is pretty good but you can tell there’s no stereo sound when watching videos, which is a bit of a shame as the 6.5in screen is smooth, bright and fantastic.

The Air behaves just like any other modern iPhone,It runs iOS 26 with its glass-like design, has all the same apps, Face ID and is super responsive,There is only one hiccup and that’s the lack of a nano sim card tray, as the iPhone Air relies entirely on eSim,In the US Apple has only supported eSims since the iPhone 14, but models sold everywhere else had nano sim slots, until the Air,Most of the major networks in the UK can provide eSims, but the experience of setting it up or moving between phones isn’t great for all of them and not all budget providers support them.

The mobile networks have some work to do to make eSims a good experience everywhere.Screen: 6.5in Super Retina XDR (120Hz OLED) (460ppi)Processor: Apple A19 Pro (5-core GPU)RAM: 12GBStorage: 256, 512GB or 1TBOperating system: iOS 26Camera: 48MP rear; 18MP front-facingConnectivity: 5G eSim-only, wifi 7, NFC, Bluetooth 6, Thread, USB-C, satellite, UWB and GNSSWater resistance: IP68 (6 metres for 30 mins)Dimensions: 156.2 x 74.7 x 5.

64mmWeight: 165gThe Air has the A19 Pro chip similar to the iPhone 17 Pro, but with one fewer GPU core, reducing its performance a little for games and other graphics-intensive tasks.It feels rapid in daily tasks but gets noticeably warmer by the camera lump when doing intensive jobs.Despite most of the body being dedicated to the battery, a smaller capacity cell is the Air’s first big concession to slenderness.The battery life is shorter than other iPhones, but isn’t as bad as you might imagine.For relatively light days with the screen actively used for five hours for browsing, messaging and watching video mostly on wifi, the Air lasted a decent 40 hours between charges.

On heavier days, shooting photos, using mapping on 5G out and about, listening to music, messaging and watching video on the commute, the Air lasted about 30 hours, ending the day with roughly 25% left,It should see out most days with a nightly charge, but if you do lots of gaming or other more intensive tasks you may need low power mode,The battery will last in excess of 1,000 full-charge cycles with at least 80% of its original capacity and can be replaced for £109,Out-of-warranty screen repairs cost £349,Specialists iFixit awarded the iPhone Air a seven out of 10 for repairability.

It contains more than 35% recycled material including aluminium, cobalt, gold, lithium, rare earth elements, steel, tin, titanium and tungsten.The company breaks down the phone’s environmental impact in its report.Apple offers trade-in and free recycling schemes, including for non-Apple products.The camera is the second big concession.The Air only has a single 48-megapixel camera on the back with the new and improved 18MP selfie camera with Centre Stage tech from the iPhone 17 line on the front.

The main camera matches that from the regular iPhone 17, not the larger sensor from the 17 Pro, but performs admirably.It can shoot great photos and video in good lighting and manages dim indoor light fairly well.It can look a bit soft and grainy at times and won’t win any camera awards, but generally shoots decent photos.It can perform a 2x crop zoom, which is pretty good in brighter scenes, but zoom further and your photos have all the hallmarks of digital zoom: surfaces and people look a bit soft and detail is lost in more distant subjects.The lack of an ultrawide and telephoto camera certainly hampers the shots you can get.

The only other iPhone with a single rear camera is the lower cost iPhone 16e.The 18MP front-facing camera automatically pans and zooms to fit everyone in group shots, and can shoot landscape selfies without having to turn the phone sideways, which is a neat trick.You can also shoot video from the front and rear cameras at the same time to put the photographer in the frame in a little window.The iPhone Air costs from £999 (€1,199/$999/A$1,799) with 256GB of storage.For comparison, the iPhone 16e costs £599, iPhone 17 is £799, iPhone 17 Pro is £1,099, the iPhone 17 Pro Max costs £1,199, the Google Pixel 10 costs £799, the Samsung Galaxy S25 Edge is £899 and the Fairphone 6 sells for £499.

The iPhone Air is a remarkable design seeking a problem to solve.I’m not sure many people have looked at their current smartphone and wished it would be thinner rather than having longer battery life and a better camera.The super-slender frame feels transformative when you first pick it up, but the novelty quickly wears off.As with Samsung’s equally thin Galaxy S25 Edge, the lighter weight is the most meaningful change making it easier to hold and pocket.The Air has a big screen but won’t weigh you down.

The battery life is better than expected and should see out most days with some left in the tank when new, which may not be the case after a couple of years of use.Apple sells a smart MagSafe battery to add another 65% capacity to the Air, but slapping it on the back removes the benefit of the thin and light design.So does adding a case.The biggest concession is the single camera on the back.The lack of ultrawide and telephoto options is a cut too far for me using a phone as my primary method for capturing memories.

But if you are an Apple buyer who wants a slender novelty that is great to hold and use, the iPhone Air is a special piece of hardware.For everyone else there are better options elsewhere.Pros: super thin and lightweight, great screen, good single rear camera, upgraded Centre Stage selfie camera, top performance, long software support, Face ID.Cons: no ultrawide or telephoto cameras, expensive, relatively short battery life, deserves to be used without a case, lack of cutting-edge AI.
cultureSee all
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Louder than Bombs: Joachim Trier’s thorniest film might be his best

Long before Joachim Trier made the Oscar-winning The Worst Person in the World and this year’s festival megahit Sentimental Value, there was 2015’s Louder than Bombs: a far stranger, slipperier film worth watching for Isabelle Huppert’s spectral turn alone. She plays a character also called Isabelle, a renowned war photographer whose secrets haunt her family three years after her sudden death.Her teenage son Conrad (Devin Druid) still daydreams in class about the car crash that claimed her life, imagining her final, panicked moments. His brother Jonah (Jesse Eisenberg) and father Gene (Gabriel Byrne) know (and conceal) the truth: that her fateful, split-second swerve was an act of suicide.The film’s cacophony of grief and anxious romance erupt within upstate New York, 6,000km away from the Nordic, millennial anomie of Joachim’s informal Oslo trilogy

1 day ago
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Creative Australia awards Khaled Sabsabi $100,000 grant months after dumping from Venice Biennale

Creative Australia has awarded a $100,000 grant to artist Khaled Sabsabi, months after he was controversially dumped and then reinstated by the federal arts body as Australia’s representative for the 2026 Venice Biennale.The grant – one of 16 made under Creative Australia’s Visual Arts, Craft and Design Framework – will fund the creation of a new body of work for a solo exhibition opening in March 2027 at Adelaide’s Samstag Museum of Art, which will also include Sabsabi’s Venice Biennale work.In August, Sabsabi was also awarded a grant by Create NSW for a major new work in western Sydney.The two commissions represent a silver lining in a tumultuous year for Sabsabi, a Lebanese-Australian artist from western Sydney. In February, he and curator Michael Dagostino were announced as Australia’s representatives for the prestigious Venice Biennale; less than a week later they were sacked, after criticism by the Australian and the then shadow arts minister, Claire Chandler, over Sabsabi’s use of imagery in previous artworks of the 9/11 terrorist attacks and former Hezbollah leader Hassan Nasrallah

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‘The vocals were on another level’: how Counting Crows made Mr Jones

Our first four records had been mostly made in houses in the hills above Los Angeles. August and Everything After was our first major label album, so it was a pretty big deal. Our advance was $3,000 each; I bought a 1971 cherry red VW Karmann Ghia convertible and drove it to LA.I would get up every morning and listen to Pickin’ Up the Pieces by Poco, which is like the Beatles doing country music. I also had this Benny Goodman album that I was listening to a lot – my dad had picked it up as a free giveaway at a Texaco station when I was a kid

2 days ago
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‘A palette unlike anything in the west’: Ben Okri, Yinka Shonibare and more on how Nigerian art revived Britain’s cultural landscape

To mark a new exhibition at Tate Modern, leading British-Nigerian cultural figures trace the impact of their heritage on their work, and consider its growing influence on the world stageSome primal energy was unleashed among Nigerian artists in the years leading up to independence. The century-long reign of colonialism was nearing its end and the people of Nigeria, with its over 300 tribes, its ebullient energy, were poised for a new future in which they would determine the shape and context of their lives.And the people who most articulated that double position, that paradox of modernity and tradition, were artists in all their stripes. Artists across the country, in constant dialogue with one another, created works that evoked their traditions but in a contemporary context. Artists such as Yusuf Grillo in the north, Bruce Onobrakpeya from the midwest, Ben Enwonwu from the east and Twins Seven Seven from the west were remaking the dream of art in a rigorously Nigerian context

3 days ago
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Perfume Genius: ‘I really like body hair! I like a bush. I didn’t even notice Jimmy Fallon censored mine’

The singer on looking like Amelia Earhart, the time he set his mother’s house on fire and his beef with the Octopus Teacher guyEveryone was talking about your pubic hair after it was censored on The Tonight Show. Should we all be showing more or less bush?More! I really like body hair. I like a bush. I like the whole deal. I’m sure if I didn’t have a bush, they wouldn’t have censored it

4 days ago
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As a not-yet-out trans teen, The Sensual World – the singer’s rejection of masculine influence – felt like an invocation of everything I was feelingIt wasn’t safe for me to discover The Sensual World, the eponymous track on what Kate Bush described as her “most female album”. The song was intended to be a rejection of the masculine influence that had unwittingly shaped the artist’s previous work, and an ode to something taboo within the female experience. Based on Molly Bloom’s soliloquy in James Joyce’s Ulysses – a stream of consciousness in which the character reflects on her experiences of nature, sex and love – Bush wanted to celebrate the experience of life inside a woman’s body, and the ways it gives her spiritual and sexual pleasure. I knew that, for someone like me, who was already being bullied, to openly love a song like this could make me an even more obvious target to those who saw femininity as a sign of weakness. More daunting than that, it might force me to confront my own repressed desires

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Majority of family court cases in England and Wales feature domestic abuse, watchdog says

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