The Primitives: ‘A reviewer said that Crash would finish the band. Then it was in Dumb and Dumber’

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The Primitives formed in the summer of 1984 with a singer called Keiron, who brought me in to write songs.When he left, we pinned up an advert in Coventry library and Tracy, who I’d actually met before on a Youth Opportunity Programme, answered.At that point, we sounded more like the Birthday Party or the Gun Club, so I wrote three new songs – Through the Flowers, Across My Shoulder and Crash – to test a more pop direction.Crash was simple and noisy, with a basic guitar line that became the “Na na na” hook.It was in our live set, but we dropped it quite quickly.

We thought we already had enough bubblegum, Ramones-style songs, and we more or less forgot about it until 1987, when our producer Paul Sampson suggested we revisit it.We’d had a couple of covers in the music press – Melody Maker and NME in the same week – and the record companies were beginning to sniff around.So we used Crash as bait to generate interest.We never thought of ourselves as power pop: more 60s jangle and glam, which not everyone responded to.One live review said: “If their new single Crash is anything to go by, this band are finished.

”We went on Top of the Pops, The Roxy and Saturday Live.On Saturday morning ITV show No 73, I looked down mid-song and realised my fuzz box wasn’t plugged in – my guitar sounded like a banjo for the entire performance.I was in a studio in Coventry when the owner’s daughter, who lived in the US, came in and said: “Crash is in this film that’s doing quite well.” She meant Dumb and Dumber.The song was released again as Crash (The ’95 Mix) – about 40 seconds longer, with a repeated chorus and added layers of ukulele, steel guitar, organ and percussion, none of which we were involved in.

Had it been by Paul McCartney, I don’t imagine they would have told him they were bollocksing around with it, but we couldn’t complain.It gave the song a second life and it became a worldwide hit.I’ve heard a few covers.Belle and Sebastian’s is probably closest to how it sounded when I first wrote it – a gentler, almost Jonathan Richman-type thing.People get the words wrong.

These days it’s easy to check lyrics, but years ago someone misheard them on a fan site and wrote “you should watch your stay”, instead of “you should watch your step / if you don’t look out, gonna break your neck,” Belle and Sebastian use the wrong line, as does Matt Willis,I’d been living in Australia,I did a few vocal jobs, but I wasn’t very successful,So when I came back to Coventry, my aim was to get into a band, but nothing was coming together.

I was about to go to London when I saw an ad in the library.It said that they wanted a male singer, but I thought: “Why not?” and auditioned.I remember it was dark and dingy.I think one other person applied – a guy – but he didn’t turn up so they thought: “We’re going to have to stick with her.”We’d meet every week at the house of Steve Dullaghan – our original bassist who sadly passed away in 2009 – to practise and eat toasties, like a little ritual.

You could hardly hear me at first over all these strong, powerful guitars.Everything had to be toned down.Our first gig in a pub in Coventry, mainly to friends and family, was exciting, but I was very nervous.When we played Top of the Pops, we stood out because we simply didn’t fit it.It wasn’t because we had a female singer – there did seem to be more female artists around then.

It just felt like we were this independent little band playing bubblegum pop, when the rest of the charts was all Stock Aitken Waterman.The first time we did TOTP someone stole my leather jacket that had loads of badges on and I’d had for years.The record company gave me some money to buy a new one, but it wasn’t the same.I don’t get to sing a lot of Crash these days because our wonderful fans just sing it back to me.I simply hold out the microphone.

I think the song has stood the test of time because it’s got all the ingredients: there’s a great melody, catchy lyrics and, at just over two minutes, it’s a perfectly timed pop song,
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How to make the perfect custard creams – recipe | Felicity Cloake's How to make the perfect …

Prue Leith reckons the custard cream is “arguably Britain’s most iconic biscuit” – and, certainly, we’ve been dunking this fern-patterned treat in our tea for well over a century, with early advertisements for this “delicious biscuit” placing it, perhaps aspirationally, in the “fancy” category. By 1920, Bermondsey baking behemoth Peek Frean could confidently declare the custard cream “far and away the most popular of all the cream sandwich biscuits”, a status only slightly dented by the time I was at school about seven decades later, when it sat just below its contemporary, the chocolate bourbon, in the playtime snack ratings.Despite my love of both custard and cookies, however, I’ve always found this particular custard-flavoured product a bit sugary and dull. As historian Lizzie Collingham explains in her magisterial book, The Biscuit: The History of a Very British Indulgence, it combines two early industrial foodstuffs, namely custard powder and machine-made biscuits, and though they may have been created in a factory, I think they’re much better made at home.Let’s be honest, the biscuit isn’t really the point of the packet variety – as children, we’d prise them open to scrape out the sugary filling, like bears sucking honey from a split log – but when you bake them yourself, it can be

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Impala, London W1: ‘Shamelessly, brilliantly too much’ – restaurant review | Grace Dent on restaurants

Impala is like no restaurant I’ve ever been to, yet it somehow has echoes of almost all of themLate last month, Impala drove into Soho already flaming hot in the hype stakes: this was a sizzling booking to brag about even before executive chef and co-founder Meedu Saad had turned on the stoves. Impala, after all, is a Super 8 restaurant, the group that has, among others, Tomos Parry’s Brat in Shoreditch, which has been constantly, unfalteringly brilliant since 2018. It also runs Parry’s second baby, Mountain, which is likewise wonderful; sometimes weird, yes, but always wonderful. Long before that, back in 2016, they opened Kiln, the famed live-fire Thai counter hangout that cheffy boys in beanies have tried and failed to emulate all over Britain, while Super 8’s beginnings were with the boundary-pushing and much-loved Smoking Goat. That is nothing less than a litany of solid-gold bangers, and now they’ve unleashed Impala by Saad, the former head chef at Kiln

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Ifrah F Ahmed’s debut cookbook is a love letter to Somali cuisine, history and people

On a video call from Brooklyn, between stops on her book tour, Ifrah F Ahmed is drinking ginger-root tea. The smell transports her to her childhood kitchen, where her mother often baked aromatic cardamom cake.“That’s a core childhood memory for me,” she said.For Ahmed, food isn’t just about sustenance. It is memory, inheritance and, perhaps most importantly, a record: “Somali history on a plate,” as she puts it

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Lure of being a social media chef means youngsters forgoing classic training, Michelin star cook warns

Scroll through your timeline of choice and it won’t be long until you land on a video posted by a social media chef trying to send their recipes viral.Such is the popularity of cooking videos that everyone from Michelin star masters to self-taught beginners like Brooklyn Beckham are setting up tripods on their kitchen counters to capture the perfect cut, cuisson or crust on their culinary creations.But the lure of social media could, according to some industry figures,be causing young cooks forgo the formal training of a catering college.Will Murray, who worked at the double Michelin-starred restaurant Dinner by Heston before opening his own critically acclaimed venue, Fallow, said social media cooking videos sometimes stretch the boundaries of what is possible.“Social media has helped people get into cooking

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Disco hit: Penne alla vodka, popular in New York 80s clubs, is now a menu staple

Despite most traditional Italians considering it sacrilegious, penne alla vodka is quickly becoming one of the most in-demand Italian dishes.Previously popular in suburban Italo-American restaurants during the 80s, the dish is now enjoying a widespread resurgence that is being driven by several factors including nostalgia and social media.Featuring a tomato and cream base with a splash of vodka, the silky smooth sauce sits somewhere between coral and carrot on the colour wheel. The Guardian’s Rome-based food writer Rachel Roddy describes it as “luxurious and a bit racy”.Dara Klein, a chef and founder of Tiella Trattoria in London, says the dish “hits lots of comforting notes”, comparing it to a slightly more grownup take on the Italian childhood favourite pasta al pomodoro which is “eaten from day dot”

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Benjamina Ebuehi’s recipe for orange, grapefruit and bay jelly | The sweet spot

You’re never too old for jelly, and I think we should all be eating more of it. Unmoulding a jelly and immediately giving it a good wobble is by far the best bit, and makes me giggle every time. Infusing the mixture with fresh bay leaves brings a grownup feel and gentle, earthy notes. While jelly and ice-cream is a classic combination, I love this just with some lightly whipped, unsweetened cream.Prep 5 min Cook 20 min Infuse 30 min+ Chill 4 hr+ Serves 6Neutral oil for greasing220ml freshly squeezed red grapefruit juice (from about 2 grapefruit)700ml fresh orange juice (from about 8-10 oranges)4 fresh bay leaves120g caster sugar11 gelatine leaves (I use Dr Oetker platinum grade leaf gelatine) 200ml double creamLightly grease the insides of a 1 litre jelly mould with a little neutral oil – you can skip this step if you’re serving the jelly straight from a dish or bowl