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Australia’s Women’s World Cup defeat exposes need for a reset – not an overhaul | Mrinal Asija

about 16 hours ago
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What a difference a night makes? The Australian women’s cricket team, undefeated at the tournament and hot favourites to again lift the Women’s Cricket World Cup, fumbled the semi-final in Navi Mumbai and coughed up the chance to defend their title.Known as the mentality monsters for their unmatched ability to fight back from the most dire of situations, Australia failed to defend their total of 338.In a contrasting display, their opponents – co-hosts India – shed their own tendency to buckle under pressure in knockout games and held their nerve to overhaul the record for the highest successful run chase in women’s ODIs.While it was a history-shaping moment for India, Australia ended their night without the opportunity to add another trophy to their cabinet.The defending champions have now let slip both of their World Cup crowns – T20 and ODI – within 12 months.

Australia were on top at the end of India’s powerplay after dismissing both openers, the dangerous Shafali Verma and run-machine Smriti Mandhana, especially given the India middle-order’s sketchy record.But what followed was a performance that captain Alyssa Healy would later describe as “un-Australian”.Catches were dropped, the fielding blew hot and cold with some high-quality saves interspersed by slip-ups and wide throws, and there were too many loose deliveries.Healy dug deep into her wealth of bowling resources.But for what felt like an eternity, none found an answer to break the partnership between Jemimah Rodrigues and India captain Harmanpreet Kaur, which would ultimately add 167 runs and become the backbone of the successful chase.

When the chances were created, they were not accepted in the field,Rodrigues was dropped three times on her way to a match-winning century – including by Healy and her deputy, Tahlia McGrath,What brought about the uncharacteristic display in the high-stakes match? Healy couldn’t put a finger on a cause in the post-match press conference,To point to a moment in the second innings as the one where the balance shifted away from Australia will potentially be a meritless task,Despite the early wickets, Rodrigues and Harman kept the rate under check, finding a boundary almost every over.

And as the night progressed, scoring only became easier, with the bowlers struggling to grip the ball that was being easily driven to the wet outfield by the set batters.Australia had set themselves a strenuous test by choosing to bat at the toss.The three completed ODIs at the DY Patil Stadium – all played during this tournament – had been won by the side batting first.But they were different teams, and it’s a small sample size compared to eight T20Is at the venue, six of which went the chasing side’s way.Faced with dew, passing drizzle and a strong opposition with vocal home support as they fought to keep their title-defence hopes alive, the Australians had one major flaw augmented by the conditions.

The side has been guilty of leaking extras over this World Cup cycle.The wet ball only made it more difficult for the bowlers to maintain their lines and lengths, as they gave away 26 extras.But it will be unfair to pin the blame on the bowlers alone.As Healy acknowledged after the game, the batting unit had fallen short of maximising their output despite setting a record run chase in front of India.Once Phoebe Litchfield’s enthralling knock came to an end on 119, the scoring slowed down, forcing a chaotic back-end laced with run-outs and successive wickets.

Despite the quest for back-to-back World Cup titles coming to an end a step short of the final, not many will argue that Australia were not the most well-rounded and consistent unit in the tournament,Sign up to The SpinSubscribe to our cricket newsletter for our writers' thoughts on the biggest stories and a review of the week’s actionafter newsletter promotionThe month in the subcontinent has been a showcase of the fearsome batting depth they have developed,Performances came from across the board with four centurians – Healy and Ash Gardner getting two each – and Annabel Sutherland recording an unbeaten 98 of the highest quality,Sutherland was even more impressive with the ball,The young all-rounder unleashed the variations she had been working on to great effect and stayed in the race to finish as the leading wicket-taker.

Leg-spinner Alana King was equally dominant, her miserly spells ultimately building up to a destructive 7-18 against eventual finalists South Africa,Coach Shelly Nietschke’s side will know, as will the world, that the empty spots in the trophy cabinet are not a reflection of Australia’s stature in women’s cricket,Any major overhauls to their playing philosophy are unlikely to unfold, and the panic button won’t be hit as the team prepares for a future without some of its long-serving members, including Healy and leading quick Megan Schutt,Australia won’t play another international fixture until mid-February, leaving them with an unusual gap in the middle of the home summer to reset and turn their focus to the next cycle and the opportunity to win back their T20 world title in July,The outcome of this World Cup is just that for the Australian team – a gloomy little period in the middle of summer.

It is by no means an endless winter,
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Womad festival returns and moves to new Wiltshire site

Womad festival, the global music festival co-founded by Peter Gabriel, is to return in 2026 at a new venue.The festival took a year off in 2025 in order to “return fully charged”, and left its home of Charlton Park, Wiltshire, where it had been held since 2007. Its new venue remains in Wiltshire, at nearby Neston Park in Corsham.“It immediately felt to us like a warm and welcoming home into which we could sink our roots,” Gabriel said.“In a world in which many bad actors seem to be achieving power by fanning the flames of hatred, racism and division, a meeting place for all the world’s cultures and dreams, built on mutual respect, seems all the more precious,” he added

1 day ago
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Seth Meyers on Trump’s South Korea visit: ‘Getting the royal treatment he so desperately craves’

Late-night hosts recapped Donald Trump’s lavish visit to South Korea, where he received a ceremonial golden crown.Trump continued his tour of Asia on Wednesday, where he’s been “getting the royal treatment he so desperately craves”, according to Seth Meyers. “He wishes he could get the same treatment back here at home. He made it clear, for example, that he’s super-jealous of China’s authoritarian government.”Speaking to South Korean leaders, Trump assured them that the country’s partnership with the US guaranteed that “you’ll have everything done very, very quickly … as fast as any other country, other than China”, because China “has a good system” where Xi Jinping can “approve things immediately” whereas he had to “wait two weeks”

2 days ago
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A third of people in England believe in ghosts, survey finds

It is the time of the year when the veil between the living and the dead is at its thinnest, and spirits walk the Earth once more.But it appears you are more likely to be visited by a ghost if you are under 35 years old, while spiritual creatures tend to avoid those who live in the East Midlands.New research from the National Folklore Survey has found that, across England, more than a third of people believe in ghosts and supernatural beings, but belief in the paranormal varies according to age and geography.Led by academics from Sheffield Hallam University, the University of Hertfordshire, and Chapman University in the US, the survey is the first of its kind since the last Survey of English Language and Folklore more than 60 years ago.Just over one in three people in England said they believed in ghosts or the spirits of the deceased, with younger people (aged 25-34) most likely to believe in the paranormal, which also includes magical beings, possession, spells, psychics, angels and demons

2 days ago
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Arts organisations still in ‘funding limbo’ after crash of Arts Council England online portal

Arts organisations and artists have said they are still in “funding limbo” with mounting bills and uncertain futures after this summer’s crash of Arts Council England’s grant processing platform.ACE’s online portal, Grantium, was used by artists to submit and manage funding applications. But when it crashed in July, it left thousands of applications for vital funding in doubt – a situation that persisted for several months until applications reopened in late September.Individual artists and leaders of arts institutions have said that, after the crash, they received less money than initially offered by ACE, which is also accused of revoking funding application extensions for organisations affected by the collapse of the portal.ACE claimed the outage was caused by the inability of Grantium to operate with high traffic at a time when the system was being updated

2 days ago
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Jimmy Kimmel on government shutdown: ‘There is no Republican plan for healthcare’

Late-night hosts recapped Donald Trump’s state visit to Japan as the government shutdown continued into its fourth week.On Jimmy Kimmel Live!, the comedian checked in on Trump’s visit to Japan this week. “You know, when Trump visits, you have to find something to do with him,” he said. “You can’t just take him for a stroll around town.“So instead, you take him for a stroll inside a palace, where he gets uncomfortably close to the band,” he said over footage of Trump wandering aimlessly through a ballroom with the Japan’s prime minister, Sanae Takaichi

3 days ago
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Man who won damages over Richard III film calls for more regulation of fact-based drama

A university executive who won damages over his portrayal in Steve Coogan’s film The Lost King has urged Ofcom to strengthen regulation of fact-based drama, after what he described as a three-year “anxious, stressful and hurtful” ordeal.Richard Taylor, formerly deputy registrar at the University of Leicester, sued Coogan as well as the film’s production company, Baby Cow, and the distributor Pathé over his portrayal in the 2022 film about the discovery of Richard III’s remains in a Leicester car park.The parties reached a settlement requiring damages, a clarification to appear on the film, and an undertaking not to repeat the defamatory claims. A judge had found Taylor was shown in an “unrelentingly negative and defamatory” light.Taylor said Ofcom needed “clearer guidance” to stop similar misrepresentations happening in future

4 days ago
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Suaalii’s struggles sum up an Australia side searching for fluency | Daniel Gallan

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Kangaroos made to sweat before class tells and wounded England kiss Ashes goodbye | John Davidson

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