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From ‘convict stain’ to badge of honour: Tasmania’s early criminals inspire celebrated musical
In 1802 Martha Hayes was transported from England to what was then called Van Diemen’s Land, accompanying her convict mother. The teenager was the first white female to set foot in the new colony and, having become pregnant on the voyage, she gave birth to the first white child – a baby girl – on the island we now call Lutruwita/Tasmania.While that child had a convict grandmother, her father was Lt John Bowen, a colonial administrator who led the first white settlement at Risdon Cove.Martha’s story is symbolic of so many Tasmanian family trees post-colonisation: part-convict, part-free settler or colonial master. It’s one of 17 brought to life in the musical theatre show Vandemonian Lags, co-written by the musician Mick Thomas of Weddings, Parties, Anything fame and his film-maker brother Steve
‘We wanted Torvill and Dean skating in the video!’ How we made Godley & Creme’s Cry
‘Machines were revolutionising recording. We were told to lay down a 20-second backing track, a guide vocal – then go and play table tennis’Lol Creme and I left 10cc at the height of the success because we felt things were starting to become repetitive. We came from an art school background and we were thinking visually. Even at that stage, there were two film-makers waiting to come out.We made a short video to promote our single An Englishman in New York, and thought the medium was brilliant
Margaret Atwood’s 10 best books – ranked!
After more than 30 years, Atwood caved to pleas to write a sequel to The Handmaid’s Tale. Not since Harry Potter had a publication caused such a sensation: computers were hacked in search of the manuscript and advance copies were kept under lock and key. With classic Atwood timing, the novel coincided with the phenomenal success of the TV adaptation of the original – not to mention the arrival of Trump at the White House. The Testaments won Atwood her second Booker prize, shared (controversially) with Bernardine Evaristo’s Girl, Woman, Other.A world ravaged by a deadly global pandemic? Atwood got there first in her dystopian MaddAddam trilogy, which also includes The Year of the Flood (2009) and MaddAddam (2013)
I’m addicted to watching brides dance to Beyoncé. They’ve taught me the true meaning of love
On 6 October 2016, the Canadian pop singer and reality star Melissa Molinaro posted her video “MELISSA MOLINARO WEDDING PERFORMANCE” and shifted the course of my life for ever.The video, which has been viewed 33m times, opens with Molinaro strutting into a wedding venue straight out of a Selling Sunset finale. Her brand new husband perches on a single chair, like a king awaiting his (sexy) jester. The dance starts sensually, with two backup dancers adorned in peach leotards. All three vow their commitment to one husband through hair flicks and quick snaps
My cultural awakening: a Pulp song made me realise I was in love with my best friend
The first time Gordon and I kissed I thought we’d made a terrible mistake. It was 1995, we were both 20 years old, and we were drinking at our university bar in Leicester. We had formed a friendship over the previous three years, but I had never considered Gordon in a romantic light. He was a goth at the time, which I thought was very cool, and he had this fruity, posh voice – whereas I was a timid girl from south London with a terrible perm. I remember Gordon leaning in to give me this very innocent, tentative kiss, but it caught me off guard
Final Destination to Long Bright River: a complete guide to this week’s entertainment
Final Destination: BloodlinesOut nowFunctioning like a sort of extreme version of You’ve Been Framed, this is the premier horror franchise dedicated to giving you intrusive thoughts about horrible accidents. Of course, they aren’t actually accidents, but Death himself, stalking those snatched from his grasp via handy premonitions. Not for the faint of stomach.E.1027: Eileen Gray and the House by the SeaOut nowYou’ve probably heard of Le Corbusier, but have you heard of the architect he was obsessed with, and her greatest creation? The titular Eileen and the modernist villa she built in the 1920s are the subject of this poetic docudrama
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Teacher and barrister who ran abusive home cannot be identified, high court rules
‘It broke my heart’: the adopters forced to return their child to care after struggling alone
More adoptions likely to fail in England amid funding cuts, warn charities