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Sam Altman issues ‘code red’ at OpenAI as ChatGPT contends with rivals

1 day ago
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Sam Altman has declared a “code red” at OpenAI to improve ChatGPT as the chatbot faces intense competition from rivals,According to a report by tech news site the Information, the chief executive of the San Francisco-based startup told staff in an internal memo: “We are at a critical time for ChatGPT,”OpenAI has been rattled by the success of Google’s latest AI model, Gemini 3, and is devoting more internal resources to improving ChatGPT,Last month, Altman told employees that the launch of Gemini 3, which has outperformed rivals on various benchmarks, could create “temporary economic headwinds” for the company,He added: “I expect the vibes out there to be rough for a bit.

”OpenAI’s flagship product has 800 million weekly users but Google is also highly profitable due to its search business and has substantial data and financial resources to throw at its AI tools.Marc Benioff, the chief executive of the $220bn (£166bn) software group Salesforce, wrote last month that he had switched allegiance to Gemini 3 and was “not going back” after trying Google’s latest AI release.“I’ve used ChatGPT every day for 3 years.Just spent 2 hours on Gemini 3.I’m not going back.

The leap is insane – reasoning, speed, images, video … everything is sharper and faster.It feels like the world just changed, again,” he wrote on X.OpenAI is also delaying a foray into putting advertising in ChatGPT as it focuses on improving the chatbot, which celebrated its third birthday last month.The head of ChatGPT, Nick Turley, marked the anniversary with a post on X pledging to break new ground with the product.He wrote: “Our focus now is to keep making ChatGPT more capable, continue growing, and expand access around the world – while making it even more intuitive and personal.

Thanks for an incredible three years.Lots more to do!”Despite lacking the cash flow support enjoyed by rivals Google, Meta and Amazon, which is a big funder of competitor Anthropic, OpenAI has received substantial funding from the likes of the SoftBank investment group and Microsoft.In its latest valuation, OpenAI reached $500bn, up from $157bn last October.OpenAI is loss-making and expects to end the year with annual revenues of more than $20bn, which Altman expects will grow to “hundreds of billion[s]” by 2030.The startup is committed to steep revenue growth after pledging to spend $1.

4tn on datacentre costs to train and operate its AI systems over the next eight years.Sign up to Business TodayGet set for the working day – we'll point you to all the business news and analysis you need every morningafter newsletter promotion“Based on the trends we are seeing of how people are using AI and how much of it they would like to use, we believe the risk of OpenAI of not having enough computing power is more significant and more likely than the risk of having too much,” said Altman last month.Apple has also responded to increasingly intense competitive pressures in the sector by naming a new vice-president of AI.Amar Subramanya, a Microsoft executive, will replace John Giannandrea.Apple has been slow to add AI features to its products in comparison with rivals such as Samsung, which have been quicker to refresh their devices with AI features.

Subramanya is joining Apple from Microsoft, where he most recently served as corporate vice-president of AI,Previously, Subramanya spent 16 years at Google, where his roles included the head of engineering for the Gemini assistant,Earlier this year, Apple said AI improvements to its voice assistant Siri would be delayed until 2026,
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Comedian Judi Love: ‘I’m a big girl, the boss, and you love it’

Judi Love was 17 when she was kidnapped, though she adds a couple of years on when reliving it on stage. It was only the anecdote’s second to-audience outing when I watched her recite it, peppered with punchlines, at a late-October work-in-progress gig. The bones of her new show – All About the Love, embarking on a 23-date tour next year – are very much still evolving, but this Wednesday night in Bedford is a sell out, such is the pull of Love’s telly star power.She starts by twerking her way into the spotlight, before riffing on her career as a social worker and trading “chicken and chips for champagne and ceviche”. Interspersed are opening bouts of sharp crowd work – Love at her free-wheeling best

3 days ago
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Fran Lebowitz: ‘Hiking is the most stupid thing I could ever imagine’

I would like to ask your opinion on five things. First of all, leaf blowers.A horrible, horrible invention. I didn’t even know about them until like 20 years ago when I rented a house in the country. I was shocked! I live in New York City, we don’t have leaf problems

4 days ago
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My cultural awakening: Thelma & Louise made me realise I was stuck in an unhappy marriage

It was 1991, I was in my early 40s, living in the south of England and trapped in a marriage that had long since curdled into something quietly suffocating. My husband had become controlling, first with money, then with almost everything else: what I wore, who I saw, what I said. It crept up so slowly that I didn’t quite realise what was happening.We had met as students in the early 1970s, both from working-class, northern families and feeling slightly out of place at a university full of public school accents. We shared politics, music and a sense of being outsiders together

5 days ago
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​The Guide #219: Don’t panic! Revisiting the millennium’s wildest cultural predictions

I love revisiting articles from around the turn of the millennium, a fascinatingly febrile period when everyone – but journalists especially – briefly lost the run of themselves. It seems strange now to think that the ticking over of a clock from 23:59 to 00:00 would prompt such big feelings, of excitement, terror, of end-of-days abandon, but it really did (I can remember feeling them myself as a teenager, especially the end-of-days-abandon bit.)Of course, some of that feeling came from the ticking over of the clock itself: the fears over the Y2K bug might seem quite silly today, but its potential ramifications – planes falling out of the sky, power grids failing, entire life savings being deleted in a stroke – would have sent anyone a bit loopy. There’s a very good podcast, Surviving Y2K, about some of the people who responded particularly drastically to the bug’s threat, including a bloke who planned to sit out the apocalypse by farming and eating hamsters.It does seem funny – and fitting – in the UK, column inches about this existential threat were equalled, perhaps even outmatched, by those about a big tarpaulin in Greenwich

5 days ago
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From Christy to Neil Young: your complete entertainment guide to the week ahead

ChristyOut now Based on the life of the American boxer Christy Martin (nickname: the Coal Miner’s Daughter), this sports drama sees Sydney Sweeney Set aside her conventionally feminine America’s sweetheart aesthetic and don the mouth guard and gloves of a professional fighter.Blue MoonOut now Richard Linklater (Before Sunrise) reteams with one of his favourite actors, Ethan Hawke, for a film about Lorenz Hart, the songwriter who – in addition to My Funny Valentine and The Lady Is a Tramp – also penned the lyrics to the eponymous lunar classic. Also starring Andrew Scott and Margaret Qualley.PillionOut now Harry Melling plays the naive sub to Alexander Skarsgård’s biker dom in this kinky romance based on the 1970s-set novel Box Hill by Adam Mars-Jones, here updated to a modern-day setting, and with some success: it bagged the screenplay prize in the Un Certain Regard section at Cannes.Laura Mulvey’s Big Screen ClassicsThroughout DecemberRecent recipient of a BFI Fellowship, the film theorist Laura Mulvey coined the term “the male gaze” in a seminal 1975 essay, and thus transformed film criticism

5 days ago
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Susan Loppert obituary

My partner Susan Loppert, who has died aged 81, was the moving force behind the development of Chelsea and Westminster Hospital Arts in the 1990s. This pioneering programme, which Susan directed for 10 years (1993-2003), was a hugely innovative and imaginative project to bring the visual and performing arts into the heart of London’s newest teaching hospital.As Susan wrote in an article for the Guardian in 2006, this was not about “the odd Monet reproduction or carols at Christmas … but 2,000 original works of art hung in the vast spaces of the stunning atrial building” as well as in clinics, wards and treatment areas – many of them specially commissioned. And on top of this, full-length operas, an annual music festival, Indian dancers in residence, and workshops by artists from poets to puppeteers.Susan was born in Grahamstown, South Africa, to Phyllis (nee Orkin, and known as “Inkey” because of her dark hair), a lawyer and anti-apartheid activist, and her husband Eric Loppert, a manager

5 days ago
businessSee all
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HSBC has a new chair but the succession process should have been slicker

about 5 hours ago
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UK using more wood to make electricity than ever, Drax figures show

about 6 hours ago
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Thames Water profits surge on higher bills; Prada buys Versace for $1.4bn – as it happened

about 6 hours ago
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Design boss behind new Jaguar leaves JLR weeks after change of CEO

about 6 hours ago
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HSBC appoints interim chair Brendan Nelson to permanent role

about 6 hours ago
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Thames Water faces collapse as crisis talks take ‘longer than expected’

about 7 hours ago