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Sydney’s tradition of goodbyes coincides with Bazball reckoning

about 6 hours ago
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As well as being a bucket list venue for players and supporters, the Sydney Cricket Ground has a reputation in England as the ground of the one-cap wonders,This is based on Mason Crane, Scott Borthwick and Boyd Rankin getting a go at the end of recent Ashes tours, rather than anything more historically substantial,If anything, as the traditional scene for the final Test of the Australian summer, the SCG is more like the Oval – the ground where careers often come to an end,And on Friday, surrounded by his family and with a fair bit to get off his chest, Usman Khawaja confirmed the final instalment of this Ashes series, starting on Sunday, will be his international farewell,Amusingly, there was a brief panic in the afternoon when it was announced that Steve Smith, like Khawaja a day earlier, was bringing forward his press conference.

Was this the possible signposting of a second retirement by a Sydneysider? News soon followed that this was a case of the 36-year-old looking to keep his training light.Phew.One is plenty, thank you very much.As it stands, Khawaja is the only player known to be joining those who have signed off at the SCG by choice or otherwise.There have been some good ones in the past 20 years.

Virat Kohli played his last Test here 12 months ago, David Warner the same a year earlier,There was Kevin Pietersen in 2014, scapegoated for an Ashes whitewash, while eight years before came the goodbyes for Shane Warne, Glenn McGrath, Justin Langer and Matthew Hayden after that great Australia team sealed a 5-0 Ashes sweep,The question for England is whether this fifth and final Test is similarly the end of an era – the era that, despite protestations from one of its chief architects, Brendon McCullum, has become widely known as Bazball,Three-one down with one to play, having lost the Ashes in a record-equalling 11 days, there are plenty of England supporters who would happily see it thrown off Sydney Harbour Bridge,But while things can change – not least if the quickfire win in Melbourne is followed by a gory defeat more akin to the first three Tests – the jungle drums do not appear to be beating this way.

Ben Stokes is the key figure in all this, a captain whose power comes from his all-round centrality to the side and a contract that runs until the end of the 2027 Ashes.Two days out from the match, he expressed his desire that McCullum stay on as his head coach.While this answer may be expected on one level, it was not a given.At times the pair have diverged by way of outlook.Not least at 2-0 down when Stokes spoke of “weak men” and despite three years of telling players to apply pressure at the earliest opportunity he began digging a trench with the bat.

Had they stuck to their guns at Adelaide Oval, its flat pitch might have been taken on with more than just confused caution,But the argument from Stokes, likewise that of those higher up at the England and Wales Cricket Board, is that ripping everything up would put the team back to where it was four years ago when Ashley Giles and Chris Silverwood were ushered out after a 4-0 Ashes defeat and Joe Root fell on his sword as captain a series later,If the status quo is to hold beyond some possible additions to the backroom staff, then there needs to be greater acceptance that, as excellent as Australia were when the Ashes was live – and not least the remarkable Mitchell Starc – this series defeat was in part self-inflicted,Light preparation was one aspect, but, more broadly, down to the lack of overall seriousness in the setup,Liberating as this was during the first year of McCullum’s tenure, not least for established players worn down by the fug of Covid, it has not improved many newcomers and two Ashes series have been taken on as if they are any other.

Ashes exceptionalism may grate in some quarters, but playing against Australia is hugely different for English cricketers, playing in Australia doubly so,The lesser-spotted Shoaib Bashir is back in a squad of 12 for England,But unless the public meltdown that followed the two-dayer in Melbourne leads to an overcorrection and the SCG pitch is shorn of all grass, the previously unused Matthew Potts coming in for the injured Gus Atkinson is probably the only change,For a regime ironically now keen to dig in this is one last chance to salvage something from the tour and prevent positions from becoming untenable,For the players it is a case of making sure they are part of whatever follows, rather than be swept into Sydney’s tradition for goodbyes.

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Tension on the streets, the mushroom trial circus and a devastating terrorist attack – looking back on Australia’s turbulent 2025

Fires, floods, murders, a missing child and a massacre – 2025 in Australia brought some of the very worst news.Threaded through the year were themes that persisted from 2024 and will carry on into 2026 – the cost of living, interest rates, immigration debates, the housing crisis, global instability, AI and Aukus.And, of course, the effects of the climate crisis, the battle against it, and the battle against the battle against it.But the year also brought twisty tales, uniquely Australian moments and events that will change the nation for ever.A range of charges were brought under the Australian federal police’s special operation Avalite, targeting antisemitic behaviour

4 days ago
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The best films of 2025 … you may not have seen

There’s something almost self-fulfilling about Endless Cookie being an overlooked gem. The crudely animated Canadian documentary, directed by two half-brothers occupying separate worlds between Toronto and Shamattawa First Nation, lives in and finds its voice in the ellipses between typical narrative beats. A fart, a toilet flush, mumbling asides and the squabble of children sharing the same room as Seth Scriver (who is white) he interviews his Indigenous brother Pete are among the overlooked moments that are usually left on a cutting-room floor. But they resonate in Endless Cookie, like life refusing to be silenced in a surrealist self-portraiture that delights in colouring outside the lines. Institutional violence and neglect, intergenerational trauma and over-policing in Indigenous communities are all visible, but often kept at bay

5 days ago
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‘I once Bogarted a joint from a Beatle’: Stewart Copeland of the Police

Your 2025 album, Wild Concerto, stars birds and animals as soloists; what animal do you think best represents you, and why?The wolves of the Arctic Circle! Actually, no, no, no – the hyenas of the Skeleton Coast. Hyenas are very cool animals: they’re butt ugly, but they have extremely complex society, they’re very complex vocally, and they’re very strange animals. I don’t know whether I identify with them personally or not. OK, fuck that: let’s go back to the wolf, much more heroic.You’ve been touring your in-conversation show – what is the most common question you get from audiences?Someone always asks me about Spyro [1998 platformer Spyro The Dragon]

6 days ago
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From Central Cee to Adolescence: in 2025 British culture had a global moment – but can it last?

Despite funding cuts and shuttered venues, homegrown music, TV, film and, yes, memes have dominated the global zeitgeist over the past 12 years. Now this culture must be future-proofed from the forces of globalisationOn the face of it, British culture looks doomed. Our music industry is now borderline untenable, with grassroots venues shuttering at speed (125 in 2023 alone) and artists unable to afford to play the few that are left; touring has become a loss leader that even established acts must subsidise with other work. Meanwhile, streaming has gutted the value of recorded music, leading to industry contraction at the highest level: earlier this year the UK divisions of Warners and Atlantic – two of our biggest record labels – were effectively subsumed into the US business.In comedy, the Edinburgh fringe – the crucible of modern British standup, sketch and sitcom – is in existential crisis thanks to a dearth of sponsorship and prohibitively high costs for performers

6 days ago
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The best songs of 2025 … you may not have heard

There is a sense of deep knowing and calm to Not Offended, the lone song released this year by the Danish-Montenegrin musician (also an earlier graduate of the Copenhagen music school currently producing every interesting alternative pop star). To warmly droning organ that hangs like the last streak of sunlight above a darkening horizon, Milovic assures someone that they haven’t offended her – but her steady Teutonic tenderness, reminiscent of Molly Nilsson or Sophia Kennedy, suggests that their actions weren’t provocative so much as evasive. Strings flutter tentatively as she addresses this person who can’t look life in the eye right now. “I see you clearly,” Milovic sings, as the drums kick in and the strings become full-blooded: a reminder of the ease that letting go can offer. Laura SnapesIn a year that saw the troubling rise of AI-generated slop music, there is something endlessly comforting about a song that can only have been written by a messy, complicated human

6 days ago
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The Guide #223: From surprise TV hits to year-defining records – what floated your boats this year

Merry Christmas – and welcome to the last Guide of 2025! After sharing our favourite culture of the year in last week’s edition, we now turn this newsletter over to you, our readers, so you can reveal your own cultural highlights of 2025, including some big series we missed, and some great new musical tips. Enjoy the rest of the holidays and we’ll see you this time next week for the first Guide of 2026!“Get Millie Black (Channel 4), in which Tamara Lawrance gives a powerhouse performance as a loose-cannon detective investigating a case in Jamaica. The settings are a tonic in these dreary months, and the theme song (Ring the Alarm by Shanique Marie) is a belter. But be warned: the content of the final, London-set episode goes to some dark places.” – Richard Hamilton“How good was Dying For Sex! This drama about a terminally ill woman embarking on an erotic odyssey was so funny and sad and true and daring

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Anthony Joshua’s driver charged with dangerous driving after fatal crash in Nigeria

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