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Cameron Norrie beats Mattia Bellucci to spark memories of Wimbledon 2022 run

about 11 hours ago
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Cameron Norrie was buffeted by the winds of fortune and form but still emerged from his third round tie flying the flag.The British No 3 saw off the unheralded Italian Mattia Bellucci in straight sets.A match that will not linger long in the memory was played out in front of a crowd desperate for the opportunity to get behind a home talent, but given very few occasions to do so.Unforced errors came hard and fast, advantages were regularly built only to be squandered.Both men seemed to be slightly hemmed in by the occasion, liberated only when averting a small moment of calamity.

Norrie will hardly care.Reaching the fourth round of a grand slam for the fifth time is not an achievement to be taken lightly and a contest against the Chilean Nicolás Jarry will not be overly frightening.There is a case to be made that it is only onwards and upwards for the world No 61.As Norrie reaches the first weekend of the tournament, memories of his run to the semi-finals here three years ago – he lost to the eventual champion, Novak Djokovic – will also be increasingly rekindled.With British prospects reduced over the past two days, he will once again have the focus of a nation’s attention upon him.

“It was a tough match,” Norrie said.“I didn’t start as well as I would have liked.I didn’t really flinch like the match before.I just held my nerve and played well, kind of stole that first set then ran away with the match after that.“I’m not going to change anything.

I’m feeling the ball really well.I practised for about 10, 15 minutes yesterday.I stopped.I was feeling good.“Expectations are only ever expectations.

I want to just keep taking care of what I can.I’ve come to enjoy this tournament.I want to keep doing that and keep giving people, my friends, my family, my team, something to cheer about.”The 23-year-old Italian held his own serve for a few games, but with the score at 4-3 he lost whatever composure he had to squander a service game to a delighted Norrie, who gave a roar in celebration.The tie-break was the first set in microcosm, errors passed back and forth, until at 5-5 Norrie pulled off a magical mini-break with a backhand passing shot that nipped just inside the baseline.

To seal the deal, Bellucci skewed a return off the frame of his racket for the set.There was consistent applause around No 1 Court, if stopping short of delight, but the sense was that the match would run more easily towards Norrie and so it proved.Bellucci was clearly having more doubts the longer things ran on and while the Briton’s game did not noticeably go up a level his opponent could not be relied upon to punish mistakes.After an exchange of breaks early in the second set, the 29-year-old bore down on his opponent at 3-3, consistently playing the ball into the backhand, a situation that led to the Italian taking risks to escape and playing shots that seemed magnetically attracted to the net.The break duly came and Norrie had the opportunity to grind things out.

He made hard work of it and at 5-4, serving for the set, was dragged to deuce once again thanks to a series of errors,But one clinical volley was enough to double his lead,The final set went by in a blink, but followed a familiar format,With Bellucci now all over the place, Norrie rushed to a 5-1 lead but then lacked the consistency to land the killer blow,Bellucci held serve and broke back and it appeared he was not yet finished.

Come the next service game and the four unforced errors, it turned out that he was,In total the Italian made 58 unforced errors, Norrie 32, which is exactly the average number for the men’s draw so far,Walking round the court as his opponent stuffed his bags, Norrie offered some polite applause and the crowd reciprocated,There was a sense hanging in the air of something missing, of a challenge yet to catch fire,But at least Norrie still has a chance to find the spark.

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My night at the museum … for an ‘adult sleepover’, with lots of dinosaurs and no kids allowed

Museums around the world are opening up for grownups wanting to explore by torchlight and sleep among exhibits. Clem Bastow heads to Melbourne Museum to try one outGet our weekend culture and lifestyle emailIt’s about 1.30am and I’ve just heard a spooky noise – the sort of noise that would usually send me shooting out of bed with a torch and baseball bat to investigate my no doubt impending doom. Fortunately, on this occasion I am not alone in my flat but surrounded by 39 other nerds sleeping (relatively) soundly in the Dinosaur Walk at Melbourne Museum. The source of the noise is a nearby tawny frogmouth

4 days ago
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‘Someone compared it to Bohemian Rhapsody’: Wookie on making UK garage classic Battle

‘We added a level of sophistication to garage. When we were trying to get it on the radio, one station said it was too intelligent and they wouldn’t play it’People say Battle reminds them of some really good years for Britain as a country. We were entering a new millennium, everyone was running their own business, making money and the underground record industry was thriving. I wanted to do a UK garage version of Southern Freeez, by the 80s UK funk band Freeez. Initially, Battle was going to be another instrumental, and then Lain, the singer, came in the room and goes: “Let me put something on this

5 days ago
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Manchester Museum asks visitors if Egyptian woman’s body should be taken off display

One of Europe’s leading museums is asking visitors if it should continue to display the body of an ancient Egyptian woman 200 years after it was brought to the UK by cotton merchants, as it “decolonises” some of its most famous exhibits.Manchester Museum, which in May was named 2025’s European museum of the year, is running a consultation on the future of Asru, a woman who lived in Thebes, the ancient city in the location of modern-day Luxor, 2,700 years ago.A plaque at the museum asks: “Should we continue to display the body of Asru?”, inviting visitors to submit answers in a postbox underneath.It adds: “Asru’s mummified body was unwrapped at the Manchester Natural History Society in April 1825. She has regularly been on display for the two centuries since

6 days ago
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Andy Lee: ‘It’s illegal to taxidermy a human in Australia. I know because I looked into it’

You wrote your first kids’ book, Do Not Open This Book, on a 40-minute flight as a present for your nephew and you’ve now sold 3m books. Your sister Alex also writes kids’ books. How pissed off with you is she?Hahaha. Look, she should be. But fortunately for me, I have the most supportive siblings so she’s just thrilled for me

6 days ago
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My cultural awakening: Buffy gave me the courage to escape my conservative Pakistani upbringing

I was 10, cross-legged on the floor of my parents’ living room in Newcastle, bathed in the blue light of a TV. The volume was set to near-silence – my dad, asleep in another room, had schizophrenia and frontal lobe syndrome, and I didn’t want to wake him. Then, like some divine interruption to the endless blur of news and repeats, I stumbled across Buffy the Vampire Slayer. The show may have been barely audible, but it hit me like a lightning bolt.Before Buffy, life was like a pressure cooker

7 days ago
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Your front-row pass to who the performers will be watching at Glastonbury

Hello from Worthy Farm, home to Glastonbury festival! As is tradition, this newsletter is coming to you from a sparsely apportioned cabin behind the festival’s legendary Pyramid stage, which this weekend will feature headline sets from The 1975, Neil Young and Olivia Rodrigo.The festival proper is kicking off right about now, though really it has been whirring away for two days already. The official opening was on Wednesday night: a circus spectacular on the Pyramid stage featuring jugglers, drummers, fire-flinging dancers and a bloke doing handstands on a fairy-light-strewn bike suspended above the audience. The extravaganza came courtesy of the talented folk from Glastonbury’s theatre and circus fields, who were tasked with opening the festival for the first time since the early 90s.(Incidentally, the Theatre and Circus Fields have a pretty remarkable origin story: in 1971 Winston Churchill’s granddaughter Arabella was being relentlessly hounded by the paparazzi in London, having created a bit of a stink by daring to speak out against the Vietnam war

8 days ago
societySee all
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Young Europeans losing faith in democracy, poll finds

1 day ago
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Labour’s 10-year health plan for the NHS is bold, radical – and familiar

1 day ago
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Twelve key takeaways from Labour’s 10-year NHS plan

1 day ago
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Starmer outlines 10-year plan to change NHS ‘from sickness service to health service’

1 day ago
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‘Am I just an asshole?’ Time blindness can explain chronic lateness - some of the time

1 day ago
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Wes Streeting: ‘half my colleagues’ in Commons using weight loss drugs

2 days ago