The Hours won awards for Nicole Kidman’s fake nose – and hearts as a queer classic

Michael Cunningham’s Pulitzer prize-winning book The Hours – inspired by Virginia Woolf’s seminal 1925 novel, Mrs Dalloway – imagines one day in the lives of three women separated across time periods. The triptych follows Woolf in the throes of writing Mrs Dalloway; Laura Brown, a depressed housewife who is reading Woolf’s novel in postwar America; and Clarissa Vaughan, a New Yorker who acts as a contemporary embodiment of Woolf’s titular character.Cunningham’s 1998 text, though widely acclaimed, was initially deemed unadaptable due to its nonlinear structure and stream-of-consciousness approach that paid homage to Woolf’s pioneering style. However, since its publication, The Hours (which takes its name from Mrs Dalloway’s working title), has been reinterpreted as an opera and, most notably, a 2002 film directed by Stephen Daldry.As the title suggests, the film explores the ways in which the routine of a single day can be at once beautiful in its ordinariness or seismic in its oppressive mundanity

Vanessa’s a pillar of the hiking community | Brief letters

Your report (Campaigners seek listed status for historic trig points that mapped Britain, 16 April) didn’t mention the Vanessa trig point – Vanessa being a corruption of the Venesta company, which made cardboard tubes into which the concrete for the pillars was poured. These were designed for less accessible places, mostly in the Scottish Highlands and Islands. I was never less than half exhausted when I met one.Margaret SquiresSt Andrews, FifeThe Guardian’s journalism is independent. We will earn a commission if you buy something through an affiliate link

Zoologist, author and presenter Desmond Morris dies aged 98

The zoologist Desmond Morris, perhaps best known for his book The Naked Ape and his work on the ITV programme Zoo Time, has died aged 98.Morris’s son Jason paid tribute to him after his death on Sunday, praising his many professional achievements as well as his role as a father and grandfather.“His was a lifetime of exploration, curiosity and creativity,” Jason said. “A zoologist, manwatcher, author and artist, he was still writing and painting right up until his death. He was a great man and an even better father and grandfather

V&A East Storehouse and Norwich Castle among finalists for museum of the year

The V&A East Storehouse, the National Gallery and an accessible castle in Norwich are among the contenders for this year’s Art Fund museum of the year award, the most prestigious UK prize in the sector.The annual prize offers the winner £120,000, with £20,000 going to each of the other finalists, who the Art Fund’s director, Jenny Waldman, said had all “innovated in different ways”.This year’s list is dominated by some of the biggest names in the cultural sector that have undergone big refurbishments or invested in significant new outposts, such as the V&A’s East Storehouse, which will be seen by many as a frontrunner.Based in the Olympic Park in Stratford, east London, the space aims to reimagine what a storeroom can be, with partitions removed so visitors can see “and breathe the same air” as the objects. Waldman said the V&A Storehouse, which opened in spring 2025 at a cost of £65m, had broken the boundaries of what a store could be

Letter: Sir Neil Cossons obituary

In 1971, Neil Cossons and I were on the staff of Liverpool Museum, and he invited me to accompany him on a visit to Ironbridge Gorge in Shropshire. We admired Blists Hill furnace, the bridge, the surrounding buildings and their setting, and shortly afterwards he became its director.The appeal it had as a monument to the industrial revolution lay in it being a complete entity. Many other site-based museums rely on translocating buildings, often into a replicated local landscape. History occurs in places, and Neil knew that raising one’s gaze from the built artefacts to the landscape enables understanding: preserving the place was crucial

‘Women want to experience pleasure’: how the female gaze caught the attention of film, TV and fiction

From passionate romantasy novels to premium television dramas, culture is bringing the agency, desires and interior lives of women to the fore. It’s proving good for business, but is this a permanent revolution?Do you voraciously read the pages of steamy romantasy bestsellers by Sarah J Maas or Rebecca Yarros? Or flood your group chat with breathless recaps of the latest goings-on in TV series such as Heated Rivalry or Bridgerton? Or even immerse yourself in the divisive and challenging cinematic worlds of Emerald Fennell? If so, you surely can’t have failed to notice that in pop culture, the female gaze – storytelling that highlights the meandering, textured, sublimely messy inner worlds and wants of women – is enjoying an explosion.On TV, you can see it everywhere, in the interior lives and desires taken up by Big Little Lies, Sirens or Reese Witherspoon and Kerry Washington’s Little Fires Everywhere. Romantasy harbours it in the shape of powerful maidens and sex in fae (fairy) realms, while Fennell’s Wuthering Heights and Promising Young Woman are marketed with the promise of converting women’s experiences into dark beauty on the big screen.A shift, a moment or a commercial juggernaut? That depends how deeply you look