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The trillion-dollar AI arms race is here

2 days ago
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Hello, and welcome to TechScape.Johana Bhuiyan and Dara Kerr here, filling in for Blake Montgomery, who’s enjoying the beach but likely getting sunburned.Tech companies are fighting to claim the title of having the world’s most advanced AI.The goal is to supercharge their bottom line and keep investors and Wall Street happy.But developing the world’s most advanced AI means spending billions on data centers and other physical infrastructure to house and power the supercomputers needed for AI.

It also means a drain on natural resources and the grid in the areas surrounding data centers worldwide.Still, last week’s earnings reports made clear that tech firms are forging ahead.Google announced it was planning to spend $85bn on building out its AI and cloud infrastructure just in 2025 – $10bn more than it initially predicted.And the company expects that spending to increase again in 2026.For context, Google reported $94bn in revenue in the second quarter of this year.

Chief executive Sundar Pichai said Google is in a “tight supply environment” when it comes to the infrastructure needed to support AI processing and compute.The results of this increased spending would still take years to be realized, he said.Google isn’t alone.Amazon has said it plans to spend $100bn in 2025 – the “vast majority” of which will go to powering the AI capabilities of its cloud division.As a point of comparison, Amazon spent just under $80bn in 2024.

“Sometimes people make the assumption that if you’re able to decrease the cost of any type of technology component … that somehow it leads to less total spend in technology,” said Amazon’s CEO Andy Jassy during an earnings call in February,“We’ve never seen that to be the case,”Meta, too, has upped the amount it plans to spend on AI infrastructure,In June, Mark Zuckerberg said the company planned to spend “hundreds of billions” of dollars on building out a network of massive data centers across the US including one that the firm expects to be up and running in 2026,Originally, executives said the firm was projected to spend $65bn in 2025 but adjusted that to anywhere between $64bn and $72bn.

Meta and Amazon report earnings this week,Artificial intelligence companies have come under fire for cannibalizing creative industries,Artists have seen their work used without their permission as companies train their algorithms,Creative teams have shrunk and been laid off as parts of their work are being done by AI,“It will mean that 95% of what marketers use agencies, strategists, and creative professionals for today will easily, nearly instantly, and at almost no cost be handled by AI,” Sam Altman, the CEO of OpenAI, has said.

“No problem,”In response, coalitions of artists have launched several copyright lawsuits against the top AI companies, including OpenAI, Meta, Microsoft, Google and Anthropic,The companies say that under the “fair use” doctrine they should be able to use copyrighted material for free and without consent,Artists, including names such as Sarah Silverman and Ta-Nehisi Coates, say the companies shouldn’t be able to profit off their work,So far, the AI companies are winning.

Adobe, the software company best known for making creative tools such as Photoshop, says it’s trying to walk the line between developing useful AI programs and making sure artists aren’t getting the short end of the stick.The company has introduced two “creator-safe” tools, that aim to tackle issues around copyright and intellectual property.One is its Firefly AI model, which Adobe says is trained only on licensed or public-domain content.The other is the Adobe Content Authenticity web app, which lets photographers and other visual artists indicate when they don’t want their work to be used to train AI and also lets them add credentials to their digital creations.Artists can “apply a signature to it in the same way that a photographer might sign a photo or a sculptor would etch their initials into a sculpture”, said Andy Parsons, a senior director at Adobe who oversees the company’s work on content authenticity.

We spoke with Parsons about the burgeoning world of AI and what it means for creators.***Q: What do you see as the biggest issues that creators and artists are facing with the advent of AI, and generative AI?I think there’s one prevailing issue, which is the concern that various AI techniques will compete with human ingenuity and with artists of all kinds.And that goes for agencies, publishers, individual creators.***Q: Is Adobe Firefly one of the ways that Adobe is trying to address these problems and make sure that creators’ work is not ripped off?Yeah, absolutely.From the beginning of Adobe Firefly, we followed two guiding principles.

One is to make sure that Adobe Firefly is not trained on publicly available content,It’s only trained on things that Adobe and the Firefly team have exclusive rights to use,That means that it can’t do certain things,It cannot make a photo of a celebrity, because that celebrity’s likeness we would consider guarded and potentially protected,The second thing we built in from the beginning is transparency, so knowing that something that comes out of Firefly was generated by AI.

This is what we call content provenance, or content authenticity.It’s making clear something is a photograph or made by an individual artist as opposed to made by AI.Sign up to TechScapeA weekly dive in to how technology is shaping our livesafter newsletter promotion***Q: What is the Adobe Firefly trained on?It’s a combination of Adobe Stock and some licensed datasets.It’s trained on things that Adobe has clear rights to use in this manner.***Q: How do tech companies like Adobe avoid copyrighted materials sneaking into the datasets?We have licensed and clear rights to all of the data that goes into that dataset.

There’s an entire team devoted to trust, safety and assurances that the material is available to be used.We don’t crawl the open web, because as soon as you do that, you do risk potentially infringing on someone’s intellectual property.Our feeling is it’s not always the case that more training data is better.***Q: What does the future of human creativity look like now that we’re living in this new world with generative AI?When it comes to content authenticity, there’s that “nutrition label” idea we sometimes talk about.If you walk into a food store, you have a fundamental right that’s fulfilled in most democratic societies, to know what’s in the food that you’re going to serve your family.

And we think the same is true of digital content.We have a fundamental right to know what it is.Last week, the internet in the UK underwent a seismic change.As of Friday, social media and other internet platforms will be required to implement safety measures protecting children or face large fines.It is a significant test for the Online Safety Act, a landmark piece of legislation that covers the likes of Facebook, Instagram, TikTok, YouTube and Google.

Read the Guardian’s guide to the new rules.18 months.12,000 questions.A whole lot of anxiety.What I learned from reading students’ ChatGPT logsThe real winners from Trump’s ‘AI action plan’? Tech companiesCompetition shows humans are still better than AI at coding – justAI summaries cause ‘devastating’ drop in audiences, online news media told‘It’s queer, Black joy’: the TikTok creator quizzing pop stars and politicians on LGBTQ+ cultureElon Musk opened a diner in Hollywood.

What could go wrong? I went to find out
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Idaho’s Matteo Jorgenson gave it all for a Tour de France he could never win – and triumphed anyway

Tadej Pogačar’s victory looked certain as he flew up Butte Montmartre for the second of three times on the Tour de France’s final stage. His lead in the race’s general classification (GC) stood at four minutes and 27 seconds over Jonas Vingegaard, more than 10 minutes clear of everybody else, and GC times had been frozen for the final stage. He had won four stages already; that he hadn’t won at least six seemed more his choice than anybody else’s. There was no need to be at the front here, to add a fifth cherry atop the ice cream, but Pogačar’s unquenchable competitive spirit demanded an attempt. He stamped on his pedals on the cobblestoned hill, scything riders off the back of the bunch

about 8 hours ago
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Amber Anning: ‘Gold is always the goal. Get to the final and then whatever happens, happens’

After the sorrow of 2021, the world indoor 400m champion is determined to finally take her chance to race in Toyko “That was quite tough to take,” says Amber Anning, thinking back to the selection process for the Tokyo Olympics in 2021. She finished eighth – “dead last” – in the 400m at the British championships and was the only woman in the relay pool not to go to the Games. “But Tokyo’s always been on my list, even outside of track. The blossom trees are something I’ve always wanted to go see.”For this weekend’s British trials in Birmingham, where spots for September’s world championships in the Japanese capital are up for grabs, Anning is the favourite and defending champion, not to mention the world indoor title holder

about 9 hours ago
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Blair Kinghorn and James Ryan to start in final Lions Test against Australia

Blair Kinghorn and James Ryan have been named to start for the British & Irish Lions in their third Test against the Wallabies in Sydney on Saturday as Andy Farrell’s side seek to wrap up a series whitewash.Kinghorn is selected on the left wing with James Lowe dropping out of the 23 while Ryan replaces Ollie Chessum, who has been named on the bench. Kinghorn impressed as a replacement in the last-gasp victory in Melbourne last week and though he is a fullback by trade, he often appears on the wing for Toulouse.Ryan also caught the eye off the bench at the MCG and comes into the starting XV alongside Maro Itoje, who continues as captain. Ryan is one of nine Ireland players selected along with Tadhg Furlong who will equal Alun Wyn Jones in starting nine consecutive Tests for the Lions

about 10 hours ago
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Nic White called on to inspire Australia for third Lions Test in Sydney

The Wallabies will take inspiration from retiring scrum-half Nic White as they seek to avoid a series whitewash in the third Test against the British & Irish Lions in Sydney on Saturday.The veteran announced on Thursday he would retire from international rugby after Saturday’s Test and coach Joe Schmidt has handed him the No 9 jersey for his 73rd Wallabies cap in a nod to his long contribution to Australian rugby.White said it was the right time to “pass on the baton” to players like Jake Gordon and Tate McDermott, who have played ahead of him in the first two Tests.“Pulling on the gold jersey was a dream of mine when I was a young boy in Scone and to say I’ve done it 72 times, with one last crack on Saturday night, is something I’m incredibly proud of and a privilege I’ve never taken for granted,” White said.“Rugby has given me so much to be grateful for

about 11 hours ago
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‘King’ Kyle Chalmers out to reassert dominance over princeling upstarts at swimming worlds | Kieran Pender

It is rare to find such a decorated athlete – one with a regal moniker, no less – who still thrives on being the underdog. Australia’s Kyle Chalmers, “King Kyle”, has won just about everything there is to win in international swimming. Yet year after year he returns, somehow still the underdog, somehow ready to spring another upset.In recent days, at the 2025 World Aquatics Championships in Singapore, it has been more of the same. On Sunday, Chalmers anchored Australia’s relay team to an unexpected gold in the men’s 4×100m freestyle relay

about 13 hours ago
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Approach to AFLW’s 10th season suggests some remain unconvinced of its value | Jack Snape

Football will return to Victorian free-to-air television on Saturdays to mark the start of the AFLW season, but the first three rounds will be split across Channel Seven’s main and secondary channels in a sign the broadcaster is not fully convinced of the competition’s ability to draw ratings.The AFL has faced criticism this season for its new broadcast deal which has given Saturday’s men’s matches exclusively to Foxtel in Victoria, in an attempt to increase Thursday night coverage on Seven.While Seven is still finalising its AFLW programming, only the season-opening Thursday night double-header of Carlton v Collingwood followed by West Coast v Gold Coast, as well as Sunday afternoon slots, are set be shown to Victorians on Seven’s main channel over the first three rounds.The qualified support for the women’s code from Seven comes as AFL head office seeks to accelerate growth in a competition entering its tenth season, and address negative perceptions about the AFLW.On Tuesday, the AFL chief executive, Andrew Dillon, rejected the language used in a story in the Age earlier this month which claimed the AFL told clubs at a CEOs’ meeting that the AFLW was “losing $50m” each year

about 13 hours ago
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Wes Streeting says striking doctors ‘will lose a war with this government’

about 22 hours ago
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An ethics record that this Labour government can be proud of | Letter

about 23 hours ago
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Labour pays estimated £2m to settle claims by 20 people over leaked antisemitism dossier

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Zack Polanski’s ‘eco-populism’ could put voters off Greens, opponents say

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Family of British couple held in Iran urge UK to raise case in talks with Tehran

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UK to recognise state of Palestine in September unless Israel holds to ceasefire

1 day ago