Why don’t Conservatives get credit for culture funding? | Letter

Helen Marriage, a hugely respected cultural leader, writes that “there is no political party that will commit to the kind of investment needed to keep a living art and culture ecology alive” (Durham’s Lumiere festival was a beacon of hope and togetherness – we cannot let the lights go out on the rest of the arts, 11 November). But she also places the responsibility on all of us. She wants the culture sector to make a better case. But can it?As commissioner for culture in the last government, I remain surprised that large funding decisions directed at culture have been forgotten, devalued and ignored, perhaps because the sources were then from a Conservative government.During Covid, culture was the only economic sector to receive its own rapid, specially designed, comprehensive rescue package

Jon Stewart on Trump’s Epstein files flip-flop: ‘This dude is flailing’

Late-night hosts tore into the next chapter of Donald Trump’s never-ending Jeffrey Epstein scandal.Jon Stewart ripped into Trump on Monday evening after the president abruptly changed tack and called on House Republicans to authorize the justice department’s release of files related to Epstein, a convicted sex offender – files which Trump himself could order to be released.“If he had nothing to hide, he could have declassified and released these files himself at any time,” the Daily Show host explained. “How do I know this? A legal expert named Donald Jurisprudence Trump said so.”Stewart then played footage of Trump from 2022 in which he insisted that the president can declassify anything, at any time, just by saying so or “even by thinking about it”

North by Northwest: Hitchcock’s funniest, most ambitious film

Imagine: you’re a handsome and relatively successful ad man in idyllic 50s New York. You’re having a delicious mid-afternoon snack in the lobby of the Plaza hotel, which presumably cost all of $2.50, when suddenly you are abducted in broad daylight at gunpoint by two polite and well-dressed men. You don’t put up a fight. You merely walk with them to their car, trying to object in the only way you know how: asking nicely for them to stop

David Nicholls to adapt The Secret Diary of Adrian Mole Aged 13¾ for BBC

A writing team led by the One Day author, David Nicholls, and that includes Caitlin Moran is bringing Sue Townsend’s The Secret Diary of Adrian Mole Aged 13¾ to the small screen in a 10-part BBC One adaptation of the classic tale of teenage life in British suburbia.Nicholls, who described the book as “a classic piece of comic writing and an incredible piece of ventriloquism on Sue Townsend’s part”, will adapt the book that produced one of the best-known literary creations of the 1980s.Known for Mole’s comically dramatic assessments of his life in a Midlands cul-de-sac – “I feel like a character in a Russian novel half the time” – the book sold 20m copies worldwide and was translated into 30 languages.The BBC said: “With only a multi-coloured ballpoint pen as his guide, Adrian worries about his spots, his parents’ divorce, the torment of first love and the fact he’s never seen a female nipple.”None of the cast has been revealed, and producers say “a nationwide … search is currently underway to find Adrian”

‘People still blame me for their perforated eardrums’: how we made the Tango ads

‘Gil Scott-Heron did the closing voiceover. He was giggling away, saying, “You English guys are crazy!”’My creative partner Al Young and I had been on the dole for 18 months when we landed our dream jobs at Howell Henry ad agency. We had to prove ourselves fast. Tango’s brief was basically to get talked about. They told us: “We want Coca-Cola to be afraid of this little British brand

Memoirs, myths and Midnight’s Children: Salman Rushdie’s 10 best books – ranked!

As the author publishes a new story collection, we rate the work that made his name – from his dazzling Booker winner to an account of the 2022 attack that nearly killed him “It makes me want to hide behind the furniture,” Rushdie now says of his debut. It’s a science fiction story, more or less, but also indicative of the sort of writer Rushdie would become: garrulous, playful, energetic. The tale of an immortal Indian who travels to a mysterious island, it’s messy but charming, and the sense of writing as performance is already here. (Rushdie’s first choice of career was acting, and he honed his skill in snappy lines when working in an advertising agency.) Not a great book, but one that shows a great writer finding his voice, and a fascinating beginning to a stellar career